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Sensory feedback independent pre-song vocalizations correlate with current state of motor preparation
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ABSTRACT
Many self-initiated, learned, motor sequences begin by repeating a simple movement, like ball-bouncing before a tennis serve, and this repetition is thought to represent motor preparation. Do these simple movements provide real-time sensory feedback used by the brain for getting ready or do they simply reflect internal neural preparatory processes? Here, we addressed this question by examining the introductory notes (INs) that zebra finches repeat before starting their learned song sequence. INs progress from a variable initial state to a stereotyped final state before each song and are thought to represent motor preparation before song. Here, we found that the mean number of INs before song and the progression of INs to song were not affected by removal of two sensory feedback pathways (auditory and proprioceptive). In both feedback-intact and feedback-deprived birds, the presence of calls (other non-song vocalizations), just before the first IN, was correlated with fewer INs before song and an initial state closer to song. Finally, the initial IN state correlated with the time to song initiation. Overall, these results show that INs do not provide real-time sensory feedback for preparing the motor system. Rather, repetition of INs, and possibly, other such simple movements, may reflect the “current” state of internal neural preparatory processes involved in getting the brain ready to initiate a learned movement sequence.
SUMMARY STATEMENT
The number and progression of introductory notes to song in the zebra finch are not affected by removal of sensory feedback.
Title: Sensory feedback independent pre-song vocalizations correlate with current state of motor preparation
Description:
ABSTRACT
Many self-initiated, learned, motor sequences begin by repeating a simple movement, like ball-bouncing before a tennis serve, and this repetition is thought to represent motor preparation.
Do these simple movements provide real-time sensory feedback used by the brain for getting ready or do they simply reflect internal neural preparatory processes? Here, we addressed this question by examining the introductory notes (INs) that zebra finches repeat before starting their learned song sequence.
INs progress from a variable initial state to a stereotyped final state before each song and are thought to represent motor preparation before song.
Here, we found that the mean number of INs before song and the progression of INs to song were not affected by removal of two sensory feedback pathways (auditory and proprioceptive).
In both feedback-intact and feedback-deprived birds, the presence of calls (other non-song vocalizations), just before the first IN, was correlated with fewer INs before song and an initial state closer to song.
Finally, the initial IN state correlated with the time to song initiation.
Overall, these results show that INs do not provide real-time sensory feedback for preparing the motor system.
Rather, repetition of INs, and possibly, other such simple movements, may reflect the “current” state of internal neural preparatory processes involved in getting the brain ready to initiate a learned movement sequence.
SUMMARY STATEMENT
The number and progression of introductory notes to song in the zebra finch are not affected by removal of sensory feedback.
Related Results
Sensory feedback independent pre-song vocalizations correlate with time to song initiation
Sensory feedback independent pre-song vocalizations correlate with time to song initiation
The song of the adult male zebra finch is a well-studied example of a learned motor sequence. Song bouts begin with a variable number of introductory notes (INs) before actual song...
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Introductory notes before zebra finch song have unique timing properties while sharing acoustic properties with song
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