The Autobiography of Beatrice Wood: I Shock Myself. Beatrice Wood , Lindsay Smith

King Matthias Corvinus of Hungary (1458‒1490), son of the “Scourge of the Turks,” John Hunyadi, was a foremost patron of early Renaissance art. He was only fourteen years old in 14...

In spring 1986, Lindsay Anderson appeared in a television programme on British cinema. This was part of a series of three under the heading British Cinema: Personal View, produced ...

During Full Ship Shock Trials (FSSTs), a ship is subjected to a series of underwater detonations conducted at various distances to assess its ability to withstand shock waves that ...

The identification of ‘Christ figures’ in medieval literature has no doubt been overdone. Yet it can hardly be denied that we do find there characters who present meaningful analog...

Accepting that Free Cinema's legacy has been found on British cinema and television screens in the work of directors other than Lindsay Anderson, this article investigates whether ...

James E. Côté and Anton L. Allahar, Lowering Higher Education: The Rise of Corporate Universities and the Fall of Liberal Education, reviewed by glen a. jones Daniel Coleman and S...

The visual artwork produced about Thai contemporary political trauma constitutes a “trauma art” expressing a politics of loss—loss of life, loss of history, and loss of leftist mem...

This article aims to comprehend the physical suffering that occurs when bodies face the experiences of war and death, or the "decay of bodies," as we call it, in particular on the ...