Javascript must be enabled to continue!
Mrs Beatrice Cundy, née Adelin Beatrice Connell, 1875–1949
Related Results
Giovanni d’Aragona (1456‒1485) szerepe Mátyás király mecénásságában
Giovanni d’Aragona (1456‒1485) szerepe Mátyás király mecénásságában
King Matthias Corvinus of Hungary (1458‒1490), son of the “Scourge of the Turks,” John Hunyadi, was a foremost patron of early Renaissance art. He was only fourteen years old in 14...
Beatrice as a Figure for Mary
Beatrice as a Figure for Mary
The identification of ‘Christ figures’ in medieval literature has no doubt been overdone. Yet it can hardly be denied that we do find there characters who present meaningful analog...
The “Double Exposure” of History in Evan S. Connell's Mrs. Bridge and Mr. Bridge
The “Double Exposure” of History in Evan S. Connell's Mrs. Bridge and Mr. Bridge
Evan S. Connell's Bridge novels, Mrs. Bridge (1959) and Mr. Bridge (1969), are products of a post-World War II culture set in a prewar Kansas City of the 1920s and 1930s. In this p...
“Coveting the Manor” — the feud between Father Józef Dembiński and Krystyna Wilkońska née Dembińska in 1758—1772
“Coveting the Manor” — the feud between Father Józef Dembiński and Krystyna Wilkońska née Dembińska in 1758—1772
In 1758, Krystyna née Dembińska of Rawicz coat of arms, widowed by Kazimierz Wilkoński, of Odrowąż coat of arms, the Standard Bearer of Zator and Oświęcim, presented on the persona...
Infinite Lifespans, Terraforming Planets, And Intergenerational Justice
Infinite Lifespans, Terraforming Planets, And Intergenerational Justice
When it comes to specifying the moral duties we bear towards future generations, most political philosophers position themselves on what could be regarded as a safe ground. A varia...
Berlioz, Love, and Béatrice et Bénédict
Berlioz, Love, and Béatrice et Bénédict
Berlioz's final opera, Béatrice et Bénédict (1860–62) has generally been considered a light-hearted work, revelling in the simple joys of love. Yet his final development of the the...
"I(t) could not choose but follow": Erotic Logic in The Changeling
"I(t) could not choose but follow": Erotic Logic in The Changeling
IN ACT 3 OF THOMAS MIDDLETON and William Rowley's The Changeling, in a scene that recalls and revises Beatrice Joanna's earlier "seduction" of the loathsome De Flores, De Flores ma...