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skulptur, figur, sculpture

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Clay figure The figure, which is strictly stylized, probably depicts a standing woman, holding her hands in the sides. The feet are rejected, but cuts around the legs show, that the Karabian mill, with leg lacing, has occurred. Cotton binds hard to pull around the vades and upper arms were inserted and laid out by all the Karab tribes, a national sign, which was considered to raise the bearer’s strength. According to Ernst (1, p. 125), the tracts, from which this figure is supposed to originate... - see below - were inhabited by the cuicas and timotes that are linguistically isolated, while on the other side of Lake Maracaibo a Karnibian tribe still lives, the motiloners. Clay figures, who portray people with swollen bones by means of rebonding, have also been found as far west as Caloto near Ca li (Seler, pi. 55, fig.15) and from Cauca (Uhle, pl. 6, fig. 10-21). This figure’s site is outside. The prevalence of the Karais, and when the Karais national signs are also encountered far beyond the borders of this area, we do not have the right to conclude from the untied legs that the artist who made this small figure belonged to a Karaba tribe. The figure’s face is very summarily treated, the mouth is thus marked only by a uniform incision without any real hint of the lips. Nose is completely missing, while eyes are scared rounded oc of "coffee bean stitch. This eye shape is common at least on the small archaic clay figures right on. from Mexico across Central America to Colombia and Venezuela. The whole figure is very likely to have been decorated with Sivartbru na each other skullie dashes or rectilinear ornaments on dirt. The back has yet to be preserved, and even in some places on the front, traces after decoration can be distinguished. The one without comparison most important and interesting detail, however, is the hair upholstery. This has apparently been made up of strong braids on the deer. Dylika’s braids reinforced with hardhair voro fordom in use in the visse peoples on the coast of Peru, as shown by a head from a grave at Nasea, now in the Gothenburg Museum (Montell, Fig. 80). In the Province
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Title: skulptur, figur, sculpture
Description:
Clay figure The figure, which is strictly stylized, probably depicts a standing woman, holding her hands in the sides.
The feet are rejected, but cuts around the legs show, that the Karabian mill, with leg lacing, has occurred.
Cotton binds hard to pull around the vades and upper arms were inserted and laid out by all the Karab tribes, a national sign, which was considered to raise the bearer’s strength.
According to Ernst (1, p.
125), the tracts, from which this figure is supposed to originate.
- see below - were inhabited by the cuicas and timotes that are linguistically isolated, while on the other side of Lake Maracaibo a Karnibian tribe still lives, the motiloners.
Clay figures, who portray people with swollen bones by means of rebonding, have also been found as far west as Caloto near Ca li (Seler, pi.
55, fig.
15) and from Cauca (Uhle, pl.
6, fig.
10-21).
This figure’s site is outside.
The prevalence of the Karais, and when the Karais national signs are also encountered far beyond the borders of this area, we do not have the right to conclude from the untied legs that the artist who made this small figure belonged to a Karaba tribe.
The figure’s face is very summarily treated, the mouth is thus marked only by a uniform incision without any real hint of the lips.
Nose is completely missing, while eyes are scared rounded oc of "coffee bean stitch.
This eye shape is common at least on the small archaic clay figures right on.
from Mexico across Central America to Colombia and Venezuela.
The whole figure is very likely to have been decorated with Sivartbru na each other skullie dashes or rectilinear ornaments on dirt.
The back has yet to be preserved, and even in some places on the front, traces after decoration can be distinguished.
The one without comparison most important and interesting detail, however, is the hair upholstery.
This has apparently been made up of strong braids on the deer.
Dylika’s braids reinforced with hardhair voro fordom in use in the visse peoples on the coast of Peru, as shown by a head from a grave at Nasea, now in the Gothenburg Museum (Montell, Fig.
80).
In the Province.

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