Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

God in Ghanaian Pentecostal Songs

View through CrossRef
This essay is about implicit ideas of God in Ghanaian Pentecostal songs. It examines and discusses some selected songs or choruses sung by Ghanaian Pentecostal churches. Today these songs have ceased to be the prerogative of the Pentecostals; they are sung by all: Christian and non-Christian. The songs I examine in this paper reveal Ghanaian Pentecostal understanding and interpretation of the being and nature of God. The paper aims at demonstrating the naturalness of Ghanaian Pentecostal songs. It also reveals the synthesis of the Akan primal worldview and biblical understanding in the Ghanaian Pentecostal concept of God. Yet this paper demonstrates that Ghanaian Pentecostals show a clear discontinuity with the primal worldview when they subvert the mediatorial and salvific roles of the traditional deities and spirits with those of Christ and the Christian God.
Title: God in Ghanaian Pentecostal Songs
Description:
This essay is about implicit ideas of God in Ghanaian Pentecostal songs.
It examines and discusses some selected songs or choruses sung by Ghanaian Pentecostal churches.
Today these songs have ceased to be the prerogative of the Pentecostals; they are sung by all: Christian and non-Christian.
The songs I examine in this paper reveal Ghanaian Pentecostal understanding and interpretation of the being and nature of God.
The paper aims at demonstrating the naturalness of Ghanaian Pentecostal songs.
It also reveals the synthesis of the Akan primal worldview and biblical understanding in the Ghanaian Pentecostal concept of God.
Yet this paper demonstrates that Ghanaian Pentecostals show a clear discontinuity with the primal worldview when they subvert the mediatorial and salvific roles of the traditional deities and spirits with those of Christ and the Christian God.

Related Results

Kavramsal Putperestlik ve Felsefe-Jean-Luc Marion Felsefesine Bir Giriş
Kavramsal Putperestlik ve Felsefe-Jean-Luc Marion Felsefesine Bir Giriş
Conceptual Idolatry and Philosophy -An Introduction to the Philosophy of Jean-Luc Marion-rnJean-Luc Marion, regarded as one of the most important representatives of contemporary Fr...
Global and Local Pentecostal Histories: Reframing Pentecostal Historiography in Africa
Global and Local Pentecostal Histories: Reframing Pentecostal Historiography in Africa
Arguably, Pentecostalism’s multifaceted and global nature continues to be marred by historiographical contentions and contestations. Diverse historiographical perspectives continue...
129 Songs
129 Songs
How many songs did Charles Ives (1874–1954) write? For years the songs of this iconoclastic American composer have only been known in imperfect editions of his 114 Songs (privately...
Early Pentecostal Eschatology
Early Pentecostal Eschatology
Few studies have been devoted to early Pentecostal eschatology.1  One of them, that of by Gerald T. Sheppard merits special attention.  Sheppard’s article attempts show that “Pente...
God, concepts of
God, concepts of
Those whose conceptions of God stem from the major Eastern and Western religions think of God as an ultimate reality, the source or ground of all else, perfect and deserving of wor...
Martin Luther on Grace
Martin Luther on Grace
Abstract Grace is an essential element of Christian theological reflection. Primarily, the divine attribute or trait labeled “grace” refers to God’s disposition a...
Nova zaveza in slovenska literatura
Nova zaveza in slovenska literatura
The book is divided into two parts. The first part consists of a hermeneutical introduction which questions the possibility of viewing the New Testament and Slovene literature in a...
Martin Luther and Love
Martin Luther and Love
Abstract The questions of love’s nature and its different forms were crucial to Martin Luther from the beginning of his theological career. Already as a young mon...

Back to Top