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Hitherto anonymous writer Hristina Petkovic
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?The Belgrade Paper?, the organ of the Military General Government for
Serbia, was issued from December 1915 to October 1918 and was the only
periodical in occupied Serbia. After an initial hesitation, even some Serbian
authors eventually accepted the cooperation with the journal, publishing
their poetry and prose in it. Certain renowned names include Isidora Sekulic,
Bora Stankovic, Milica Jankovic and Milorad Petrovic Seljancica. However, for
the most part, its contributors came from the ranks of the so-called minor
writers, and to some of them, the poems and short stories published in ?The
Belgrade Paper? were the only works that they printed. Among them is also
Hristina Petkovic, author of three short stories - Nina, Poverty and The
Confession. An analysis of these stories can reveal that they essentially
belong to the poetics of the so-called trivial literature, with pronouncedly
amatory and partly social topics, especially focusing on the fate of the
woman in collision with the patriarchal mentality. Owing to the archival
materials from the Archive of Serbia and the Austrian State Archive, the
paper demonstrates that the author is in fact the wife of Serbian poet
Vladislav Petkovic Dis.
Title: Hitherto anonymous writer Hristina Petkovic
Description:
?The Belgrade Paper?, the organ of the Military General Government for
Serbia, was issued from December 1915 to October 1918 and was the only
periodical in occupied Serbia.
After an initial hesitation, even some Serbian
authors eventually accepted the cooperation with the journal, publishing
their poetry and prose in it.
Certain renowned names include Isidora Sekulic,
Bora Stankovic, Milica Jankovic and Milorad Petrovic Seljancica.
However, for
the most part, its contributors came from the ranks of the so-called minor
writers, and to some of them, the poems and short stories published in ?The
Belgrade Paper? were the only works that they printed.
Among them is also
Hristina Petkovic, author of three short stories - Nina, Poverty and The
Confession.
An analysis of these stories can reveal that they essentially
belong to the poetics of the so-called trivial literature, with pronouncedly
amatory and partly social topics, especially focusing on the fate of the
woman in collision with the patriarchal mentality.
Owing to the archival
materials from the Archive of Serbia and the Austrian State Archive, the
paper demonstrates that the author is in fact the wife of Serbian poet
Vladislav Petkovic Dis.
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