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Dream of the ’90s: Mary Harron in Indiewood
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In Chapter Three, Kyle Barrett studies I Shot Andy Warhol, American Psycho, and The Notorious Bettie Page within the context of Indiewood. Barrett reflects on Harron’s aesthetics and use of satire, comparing Harron’s work to that of her contemporaries. I Shot Andy Warhol is analyzed alongside Julian Schnabel’s biopic Basquiat. American Psycho is examined together with David Fincher’s Fight Club, both films noted for their deconstruction of toxic masculinity. Finally, Barrett examines The Notorious Bettie Page alongside Sofia Coppola’s Marie Antoinette in comparison to their respective visual styles.
Title: Dream of the ’90s: Mary Harron in Indiewood
Description:
In Chapter Three, Kyle Barrett studies I Shot Andy Warhol, American Psycho, and The Notorious Bettie Page within the context of Indiewood.
Barrett reflects on Harron’s aesthetics and use of satire, comparing Harron’s work to that of her contemporaries.
I Shot Andy Warhol is analyzed alongside Julian Schnabel’s biopic Basquiat.
American Psycho is examined together with David Fincher’s Fight Club, both films noted for their deconstruction of toxic masculinity.
Finally, Barrett examines The Notorious Bettie Page alongside Sofia Coppola’s Marie Antoinette in comparison to their respective visual styles.
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