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Zakaj sploh še gledališče in ne raje nič?
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Ko je sodobno gledališče v 20. stoletju prehajalo med identitetnimi opredelitvami, ni slutilo, da se bo že v naslednjem stoletju primorano vprašati o (ne)gotovosti svojega obstoja. Zakaj gledališče: kriza in prenova nemškega kritika, dramaturga in publicista Jakoba Haynerja izpostavlja prav ta vprašanja kot izhodišče radikalne kritike sodobnega gledališča, ki jo avtor s prehajanjem med področji teatrologije, filozofije, sociologije kulture, politike in psihoanalize povezuje v kritični pregled kulture, družbe ter subjekta v njej.
Title: Zakaj sploh še gledališče in ne raje nič?
Description:
Ko je sodobno gledališče v 20.
stoletju prehajalo med identitetnimi opredelitvami, ni slutilo, da se bo že v naslednjem stoletju primorano vprašati o (ne)gotovosti svojega obstoja.
Zakaj gledališče: kriza in prenova nemškega kritika, dramaturga in publicista Jakoba Haynerja izpostavlja prav ta vprašanja kot izhodišče radikalne kritike sodobnega gledališča, ki jo avtor s prehajanjem med področji teatrologije, filozofije, sociologije kulture, politike in psihoanalize povezuje v kritični pregled kulture, družbe ter subjekta v njej.
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