Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Reimagining Grendel: Subversion, Catharsis, and Mythic Transformation in Suniti Namjoshi’s Aditi and Her Friends Meet Grendel

View through CrossRef
The figure monster in fantasy literature especially in children’s literature has persisted across myth, folklore, fable and placed in one of the most enduring archetypes which highlights fear, danger, disorder, violence and the unknown edges of human psychology. From ancient epics to modern literature fantasies, the monstrous characters in general performed as a symbolic storehouse of vilence, bloodshed, collective anxieties, social tensions, and moral hierchies. Yet, contemporary young adult (YA) literature increasingly challenges this inherited stereotypical tradition. The monster characteristic which is once fixed as the absolute antagonist, in this paper undergoes a striking re-evaluation, re-visioning process through subversion, and psychological interiority. S. Namjoshi works beyond the boundaries.Her works are related to global connotations, displacement and transformation is the base of Suniti Namjoshi’s Aditi and Her Friends Meet Grendel. The writer here juxtaposes the legendary tale of Grendel where the famously brutal creature from Beowulf is reimagined not as a monstrous terror but as a complex, emotionally vulnerable child capable of transformation through empathy, catharsis, and re-education which brings anthropocentrism and broadens the horizon by blending myth and modernity. Namjoshi explores the interconnectedness between the human world and the mythic world in almost each of her work. This paper deeply elucidates the process by which Namjoshi subverts the inherited myth of Grendel, reframes monstrosity within a pedagogical and psychological way which is suitable for young adults. The writer also aligns her narrative with postmodern feminist storytelling that dismantles rigid binaries between hero and villain, human and monster, self and other. The Paper will thus endeavour to critique the discourse on displacement by analysing the parallels between mythic and modern characters, highlighting the shared vulnerabilities across human and non-human species.
Title: Reimagining Grendel: Subversion, Catharsis, and Mythic Transformation in Suniti Namjoshi’s Aditi and Her Friends Meet Grendel
Description:
The figure monster in fantasy literature especially in children’s literature has persisted across myth, folklore, fable and placed in one of the most enduring archetypes which highlights fear, danger, disorder, violence and the unknown edges of human psychology.
From ancient epics to modern literature fantasies, the monstrous characters in general performed as a symbolic storehouse of vilence, bloodshed, collective anxieties, social tensions, and moral hierchies.
Yet, contemporary young adult (YA) literature increasingly challenges this inherited stereotypical tradition.
The monster characteristic which is once fixed as the absolute antagonist, in this paper undergoes a striking re-evaluation, re-visioning process through subversion, and psychological interiority.
S.
Namjoshi works beyond the boundaries.
Her works are related to global connotations, displacement and transformation is the base of Suniti Namjoshi’s Aditi and Her Friends Meet Grendel.
The writer here juxtaposes the legendary tale of Grendel where the famously brutal creature from Beowulf is reimagined not as a monstrous terror but as a complex, emotionally vulnerable child capable of transformation through empathy, catharsis, and re-education which brings anthropocentrism and broadens the horizon by blending myth and modernity.
Namjoshi explores the interconnectedness between the human world and the mythic world in almost each of her work.
This paper deeply elucidates the process by which Namjoshi subverts the inherited myth of Grendel, reframes monstrosity within a pedagogical and psychological way which is suitable for young adults.
The writer also aligns her narrative with postmodern feminist storytelling that dismantles rigid binaries between hero and villain, human and monster, self and other.
The Paper will thus endeavour to critique the discourse on displacement by analysing the parallels between mythic and modern characters, highlighting the shared vulnerabilities across human and non-human species.

Related Results

Mindy Calling: Size, Beauty, Race in The Mindy Project
Mindy Calling: Size, Beauty, Race in The Mindy Project
When characters in the Fox Television sitcom The Mindy Project call Mindy Lahiri fat, Mindy sees it as a case of misidentification. She reminds the character that she is a “petite ...
Like Lady Godiva
Like Lady Godiva
Introducing Lady Godiva through a Fan-Historical Lens The legend of Lady Godiva, who famously rode naked through the streets of Coventry, veiled only by her long, flowing hair, has...
Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Born To Die: Lana Del Rey, Beauty Queen or Gothic Princess?
Closer examination of contemporary art forms including music videos in addition to the Gothic’s literature legacy is essential, “as it is virtually impossible to ignore the relatio...
Precarious (E)utopianism: Intersecting Precarity and Capitalism in Suniti Namjoshi’s Dangerous Pursuits
Precarious (E)utopianism: Intersecting Precarity and Capitalism in Suniti Namjoshi’s Dangerous Pursuits
The contemporary Indian landscape is dominated by dystopian narratives with the rising concerns about the planetary havoc caused by modern capitalism. This essay examines Suniti Na...
E-Press and Oppress
E-Press and Oppress
From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a te...
A Cookbook of Her Own
A Cookbook of Her Own
Introduction The recipe is more than just a list of ingredients and the instructions on how to prepare a particular dish. Recipes also are, as Janet Floyd and Laurel Foster argu...
“Lavender Haze” in the Airways
“Lavender Haze” in the Airways
Introduction Taylor Swift has dominated global press in recent years through the success of her Eras Tour, her use of authenticity in branding (Khanal 234), and her choreographed e...
Power in Silence: Captions, Deafness, and the Final Girl
Power in Silence: Captions, Deafness, and the Final Girl
IntroductionThe horror film Hush (2016) has attracted attention since its release due to the uniqueness of its central character—a deaf–mute author who lives in a world of silence....

Back to Top