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DEFINING THE FANTASTIC IN SOUTH-SLAVIC LITERATURE: MILORAD PAVIĆ AS THE CREATOR OF POSTMODERN FANTASY
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One of the first authors that started the post-modernization of the fantastic is Milorad Pavić. Nourishing the literary phenomenon of the fantastic, Pavić introduced new reception practices, starting the deepest processes of artistic perception of prose. In this way, the fantastic has started conquering the pages of post-modern works, occupying an important place in the science of literature. For this reason, the aim of the present paper is to determine the term of fantasy, classifying the fantastic and its typological characteristics in order to point to its functioning in the prose of Milorad Pavić. Following the path of development of this literary phenomenon throughout history, the author attempts to explain its functioning in the earliest epochs and all the way to the latest literary perception of the phenomenon by analyzing the work of this renowned author, whose prose is seen as a paradigm of the postmodern fantastic.
Title: DEFINING THE FANTASTIC IN SOUTH-SLAVIC LITERATURE: MILORAD PAVIĆ AS THE CREATOR OF POSTMODERN FANTASY
Description:
One of the first authors that started the post-modernization of the fantastic is Milorad Pavić.
Nourishing the literary phenomenon of the fantastic, Pavić introduced new reception practices, starting the deepest processes of artistic perception of prose.
In this way, the fantastic has started conquering the pages of post-modern works, occupying an important place in the science of literature.
For this reason, the aim of the present paper is to determine the term of fantasy, classifying the fantastic and its typological characteristics in order to point to its functioning in the prose of Milorad Pavić.
Following the path of development of this literary phenomenon throughout history, the author attempts to explain its functioning in the earliest epochs and all the way to the latest literary perception of the phenomenon by analyzing the work of this renowned author, whose prose is seen as a paradigm of the postmodern fantastic.
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