Javascript must be enabled to continue!
Necklace
View through Europeana Collections
Formed by ovoid red coral beads alternating with hazelnuts of differentiated foot (sequence: two corals, one hazelnut), and ending in red ribbons. Both the stringing thread, made of black cotton, and the aforementioned ribbons are new. Thirteen devotional pendants are symmetrically arranged on it. There is no central pendant as such, although the pot-bellied Christ, placed at one end and without parallel on the opposite side, could well have been placed in this position. Because in remaking this necklace, extraordinary care has been taken to ensure the symmetry of the two sides, which clashes with the absence of the aforementioned central pendant. \From one end to the other the pendants are the following: \Oval of two windows with candelieri and cordoncillo in the profile. Inside, colored stamps and colored talc. H: 8.5, W: 7.5 cm. \Oval with two windows with candelieri and cordoncillo in profile. In the interior colored talcum powder on red cloth. H: 6, W: 5 cm. \Octagonal with two windows with cordoncillo in the profile and spheres in the vertexes. In the interior talc of colors in a face and in the other stamp with the scene of the Visitation. Cross handle perpendicular to the frame. H: 9, W: 7.5 cm. \Square of two windows with cordoncillo in the profile and spheres in the vertexes. Inside, brocade and cut paper forming alveoli. In the centres of each face, round wooden image and lignum crucis. H: 5.5, W: 3.5 cm. \It is the same reliquary that appears in the right bracelet photographed by the Hispanic Society of America P (12643), P (12644); Oval with two windows, called clock. Inside, paintings on glass, with the images of Saint Anthony of Padua and the Holy Face of Jaén on the cloth of the Veronica and surrounded by the symbols of the Passion. H: 10, W: 8 cm. \Oval of two windows, with cordoncillo in the profile. On one side, coloured print with the Ecce Homo; on the other side, brocade, cut paper forming alveoli and central lignum crucis. H: 5.5, W: 3.5 cm. \Oval with two windows, with smooth frame. In its interior, painting under glass representing the Virgin with the Child and Saint Face, of very meticulous and detailed execution. H: 5.5, W: 4.2 cm. \Oval with two windows with smooth frame. Inside, painting under glass of the Virgin of Sorrows and the Holy Face on the cloth of the Veronica and surrounded by the symbols of the Passion. H; 9.5, W: 7.5 cm. \Oval of two windows, with lines of contarios? or of ovas? in the profile and molded frame. In its interior, a picture of the Virgin of the Solitude (of the Dove) and, on the other side, lignum crucis between diverse fragments of cloths. H: 5, W: 3.5 cm.; It dates from the 19th century. \Ochavado of two windows with decorated edges are engraved spikelet. Inside, on one side, colored stamp of St. Rita, decorated with colored talcum powder in the form of angel's head, flowers and stars, pink, yellow, blue and green. On the other side, paper cut out to form a cross with semicircular ends surrounded by semicircular alveoli; in each space, a relic identified by a handwritten legend in red ink; in the field, coloured talcum powder. H: 9, W: 7 cm. \It is the same pendant hanging from the half-round photographed by the Hispanic Society of America P (12633), P (12634) \n11.- Oval with two windows, with smooth frame and cordoncillo and candelieri in profile. Inside, coloured engravings of Our Lady of Mount Carmel and the Annunciation. H: 7, W: 6 cm. \It is the same central pendant of the bunch of corals photographed by the Hispanic Society of America P (12635), P (12639) \n12.-Circular medal formed by two convex sheets mounted on smooth frame with application of cordoncillo in profile, which also has eight candelieri, larger in size on the axes. On one side, landscape and crucified of half bulk; on the other side, engraved starry oval and Virgin of bulk. Round handle and rhea. Silimar medal in the Museum, inv. no. 1914. H: 8.5, W: 8 cm. \Oval with two windows with cordoncillo and candelieri in the profile. Inside, on one side, lithograph of the Virgin of the Miraculous Medal, on the other, colored print. H: 8.5, W: 6.5 cm. \This set of jewels was acquired by Elvira Lucena from 'Tía Quina'. According to Francisca Becerro, 'La cirujana', 'Tía Quina' was María Hoyos.
The Digital Network of Museum Collections in Spain
Title: Necklace
Description:
Formed by ovoid red coral beads alternating with hazelnuts of differentiated foot (sequence: two corals, one hazelnut), and ending in red ribbons.
Both the stringing thread, made of black cotton, and the aforementioned ribbons are new.
Thirteen devotional pendants are symmetrically arranged on it.
There is no central pendant as such, although the pot-bellied Christ, placed at one end and without parallel on the opposite side, could well have been placed in this position.
Because in remaking this necklace, extraordinary care has been taken to ensure the symmetry of the two sides, which clashes with the absence of the aforementioned central pendant.
\From one end to the other the pendants are the following: \Oval of two windows with candelieri and cordoncillo in the profile.
Inside, colored stamps and colored talc.
H: 8.
5, W: 7.
5 cm.
\Oval with two windows with candelieri and cordoncillo in profile.
In the interior colored talcum powder on red cloth.
H: 6, W: 5 cm.
\Octagonal with two windows with cordoncillo in the profile and spheres in the vertexes.
In the interior talc of colors in a face and in the other stamp with the scene of the Visitation.
Cross handle perpendicular to the frame.
H: 9, W: 7.
5 cm.
\Square of two windows with cordoncillo in the profile and spheres in the vertexes.
Inside, brocade and cut paper forming alveoli.
In the centres of each face, round wooden image and lignum crucis.
H: 5.
5, W: 3.
5 cm.
\It is the same reliquary that appears in the right bracelet photographed by the Hispanic Society of America P (12643), P (12644); Oval with two windows, called clock.
Inside, paintings on glass, with the images of Saint Anthony of Padua and the Holy Face of Jaén on the cloth of the Veronica and surrounded by the symbols of the Passion.
H: 10, W: 8 cm.
\Oval of two windows, with cordoncillo in the profile.
On one side, coloured print with the Ecce Homo; on the other side, brocade, cut paper forming alveoli and central lignum crucis.
H: 5.
5, W: 3.
5 cm.
\Oval with two windows, with smooth frame.
In its interior, painting under glass representing the Virgin with the Child and Saint Face, of very meticulous and detailed execution.
H: 5.
5, W: 4.
2 cm.
\Oval with two windows with smooth frame.
Inside, painting under glass of the Virgin of Sorrows and the Holy Face on the cloth of the Veronica and surrounded by the symbols of the Passion.
H; 9.
5, W: 7.
5 cm.
\Oval of two windows, with lines of contarios? or of ovas? in the profile and molded frame.
In its interior, a picture of the Virgin of the Solitude (of the Dove) and, on the other side, lignum crucis between diverse fragments of cloths.
H: 5, W: 3.
5 cm.
; It dates from the 19th century.
\Ochavado of two windows with decorated edges are engraved spikelet.
Inside, on one side, colored stamp of St.
Rita, decorated with colored talcum powder in the form of angel's head, flowers and stars, pink, yellow, blue and green.
On the other side, paper cut out to form a cross with semicircular ends surrounded by semicircular alveoli; in each space, a relic identified by a handwritten legend in red ink; in the field, coloured talcum powder.
H: 9, W: 7 cm.
\It is the same pendant hanging from the half-round photographed by the Hispanic Society of America P (12633), P (12634) \n11.
- Oval with two windows, with smooth frame and cordoncillo and candelieri in profile.
Inside, coloured engravings of Our Lady of Mount Carmel and the Annunciation.
H: 7, W: 6 cm.
\It is the same central pendant of the bunch of corals photographed by the Hispanic Society of America P (12635), P (12639) \n12.
-Circular medal formed by two convex sheets mounted on smooth frame with application of cordoncillo in profile, which also has eight candelieri, larger in size on the axes.
On one side, landscape and crucified of half bulk; on the other side, engraved starry oval and Virgin of bulk.
Round handle and rhea.
Silimar medal in the Museum, inv.
no.
1914.
H: 8.
5, W: 8 cm.
\Oval with two windows with cordoncillo and candelieri in the profile.
Inside, on one side, lithograph of the Virgin of the Miraculous Medal, on the other, colored print.
H: 8.
5, W: 6.
5 cm.
\This set of jewels was acquired by Elvira Lucena from 'Tía Quina'.
According to Francisca Becerro, 'La cirujana', 'Tía Quina' was María Hoyos.
Related Results
Box with beads and necklaces by Gertrud Leistikov
Box with beads and necklaces by Gertrud Leistikov
A tin box of beads and necklaces, consisting of: 1 necklace of green beads, 1 pearl necklace, 1 necklace of red beads, 1 necklace of larger red beads, 1 necklace of brown wooden be...
Necklace, gold and beryls, with original box, Daphne Krinos, London, 2007. . Square black and silver box with a central raised square marked 'DK' and 'Daphne Krinos'. Series of irregular trapezoid gold frames alternately set with a faceted chunk of pale g
Necklace, gold and beryls, with original box, Daphne Krinos, London, 2007. . Square black and silver box with a central raised square marked 'DK' and 'Daphne Krinos'. Series of irregular trapezoid gold frames alternately set with a faceted chunk of pale g
Necklace, gold and beryls, with original box, Daphne Krinos, London, 2007. . Square black and silver box with a central raised square marked 'DK' and 'Daphne Krinos'. Series of irr...
Necklace, enamelled gold set with pearls, with a plaited chain, made by Robert Phillips, England, ca. 1867. Enamelled gold necklace, set with pearls, with a plaited gold chain. Enamelled gold set with pearls, with plaited gold.
Necklace, enamelled gold set with pearls, with a plaited chain, made by Robert Phillips, England, ca. 1867. Enamelled gold necklace, set with pearls, with a plaited gold chain. Enamelled gold set with pearls, with plaited gold.
Necklace, enamelled gold set with pearls, with a plaited chain, made by Robert Phillips, England, ca. 1867. Enamelled gold necklace, set with pearls, with a plaited gold chain. En...
Gold necklace with enamelled pendant, pearls and sapphires, probably designed and made by Nelson Ethelred Dawson, with enamel panel by Edith Dawson, London, about 1900. Gold chain necklace with pendant, which is surmounted by a cast cherub and set with a
Gold necklace with enamelled pendant, pearls and sapphires, probably designed and made by Nelson Ethelred Dawson, with enamel panel by Edith Dawson, London, about 1900. Gold chain necklace with pendant, which is surmounted by a cast cherub and set with a
Gold necklace with enamelled pendant, pearls and sapphires, probably designed and made by Nelson Ethelred Dawson, with enamel panel by Edith Dawson, London, about 1900. Gold chain ...
Gold necklace and pair of earrings, decorated with painted enamel and set with table-cut emeralds and pearls, the parts in the form of flowers, with a butterfly pendant, hung with a cabochon emerald, possibly Italy, 1666-1699. Gold necklace and pair of ea
Gold necklace and pair of earrings, decorated with painted enamel and set with table-cut emeralds and pearls, the parts in the form of flowers, with a butterfly pendant, hung with a cabochon emerald, possibly Italy, 1666-1699. Gold necklace and pair of ea
Gold necklace and pair of earrings, decorated with painted enamel and set with table-cut emeralds and pearls, the parts in the form of flowers, with a butterfly pendant, hung with ...
Necklace, gold, set with opals, pearls and emeralds and decorated with enamel, designed by Henry Wilson, made at the workshop of Henry Wilson, London, about 1905. Necklace, gold, set with opals, pearls and emeralds and decorated with enamel. With pendant
Necklace, gold, set with opals, pearls and emeralds and decorated with enamel, designed by Henry Wilson, made at the workshop of Henry Wilson, London, about 1905. Necklace, gold, set with opals, pearls and emeralds and decorated with enamel. With pendant
Necklace, gold, set with opals, pearls and emeralds and decorated with enamel, designed by Henry Wilson, made at the workshop of Henry Wilson, London, about 1905. Necklace, gold, s...
Gold necklace with units in the form of flowers, set with peridots and pearls, made in England, about 1903. Necklace made of gold units of flowers, set with peridots and pearls. The fitted box covered in loosely woven blue/green silk, inside lined with cr
Gold necklace with units in the form of flowers, set with peridots and pearls, made in England, about 1903. Necklace made of gold units of flowers, set with peridots and pearls. The fitted box covered in loosely woven blue/green silk, inside lined with cr
Gold necklace with units in the form of flowers, set with peridots and pearls, made in England, about 1903. Necklace made of gold units of flowers, set with peridots and pearls. Th...
Necklace of blue foiled paste gems with a pyrite (commonly known as marcasite) border, set in silvered copper and hung with a pendant, possibly France, about 1810-40. Thirteen faceted blue paste gems are surrounded by marcasites in silvered copper setting
Necklace of blue foiled paste gems with a pyrite (commonly known as marcasite) border, set in silvered copper and hung with a pendant, possibly France, about 1810-40. Thirteen faceted blue paste gems are surrounded by marcasites in silvered copper setting
Necklace of blue foiled paste gems with a pyrite (commonly known as marcasite) border, set in silvered copper and hung with a pendant, possibly France, about 1810-40. Thirteen face...

