Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Ghent Altarpiece

View through Europeana Collections
The altarpiece used only to be opened on feast-days. For the rest of the time, the wings were closed, so that all that could be seen was the Annunciation. the colours of the open painting are deliberately brighter and more festive than those of the closed shutters. The viewer's full attention is drawn to the large centre panel, in which a divine liturgy is performed around the Lamb of God, Jesus Christ, in a green landscape with a high horizon. an altar stands in the middle on a small green mound, possibly representing Mount Zion. the Lamb stands erect on the altar - alive but bleeding from a wound. It's blood spurts out into a chalice. The allusion is clear - Christ's death and ressurection - his sacrifice for humanity - are commemorated on the altar during every Mass. the scene as a whole referst to the Last supper when Jesus described the wine as his blood, which he was to shed for all humanity to earn the forgiveness of its sins.
Title: The Ghent Altarpiece
Description:
The altarpiece used only to be opened on feast-days.
For the rest of the time, the wings were closed, so that all that could be seen was the Annunciation.
the colours of the open painting are deliberately brighter and more festive than those of the closed shutters.
The viewer's full attention is drawn to the large centre panel, in which a divine liturgy is performed around the Lamb of God, Jesus Christ, in a green landscape with a high horizon.
an altar stands in the middle on a small green mound, possibly representing Mount Zion.
the Lamb stands erect on the altar - alive but bleeding from a wound.
It's blood spurts out into a chalice.
The allusion is clear - Christ's death and ressurection - his sacrifice for humanity - are commemorated on the altar during every Mass.
the scene as a whole referst to the Last supper when Jesus described the wine as his blood, which he was to shed for all humanity to earn the forgiveness of its sins.

Related Results

X-radiograph(s) of "Coronation of the Virgin Altarpiece"
X-radiograph(s) of "Coronation of the Virgin Altarpiece"
X-Radiograph Description: X-radiographs (15 - 21) X-Radiograph Settings: 50 KV, 5 mA, 85 seconds, 75" from tube; Lorad, Kodak Burroughs Number: 4780 X-Radiograph(s) of: ...
Saint Matthew the Evangelist
Saint Matthew the Evangelist
Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the youn...
Saint John the Evangelist
Saint John the Evangelist
Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the youn...
The Miracle of the Hosts at the Tomb of Saint John the Evangelist
The Miracle of the Hosts at the Tomb of Saint John the Evangelist
Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the youn...
Saint Luke the Evangelist
Saint Luke the Evangelist
Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the youn...
Saint Mark the Evangelist
Saint Mark the Evangelist
Gabriel Mälesskircher may have trained in the Low Countries, from where he derived his technique and approach to representing reality. Mälesskircher has been identified as the youn...

Back to Top