Javascript must be enabled to continue!
Hardcore Wishman
View through CrossRef
This chapter historicizes Wishman’s place within hardcore adult film history as one of the few of a handful of female directors during the golden age of adult cinema. While Wishman disavowed making hardcore films, the author situates Wishman in relation to other softcore directors who disavowed their transition to hardcore, such as Pat Rocco and Herschell Gordon Lewis. The essay situates Wishman’s hardcore filmmaking as divergent from the “porno chic” hardcore that prized narrative and production value to instead focus on delivering the hardcore sequences with only minimal stitching to a narrative trajectory. The author also addresses the question of authorship for these films in a complex way, at once they evince formal techniques found in her softcore films, but they also point to the creative influences of performer Annie Sprinkle on the film’s production.
Title: Hardcore Wishman
Description:
This chapter historicizes Wishman’s place within hardcore adult film history as one of the few of a handful of female directors during the golden age of adult cinema.
While Wishman disavowed making hardcore films, the author situates Wishman in relation to other softcore directors who disavowed their transition to hardcore, such as Pat Rocco and Herschell Gordon Lewis.
The essay situates Wishman’s hardcore filmmaking as divergent from the “porno chic” hardcore that prized narrative and production value to instead focus on delivering the hardcore sequences with only minimal stitching to a narrative trajectory.
The author also addresses the question of authorship for these films in a complex way, at once they evince formal techniques found in her softcore films, but they also point to the creative influences of performer Annie Sprinkle on the film’s production.
Related Results
My Teenage Cinematic Love Affair with Doris Wishman
My Teenage Cinematic Love Affair with Doris Wishman
This chapter details the impact Wishman has had on present and future women filmmakers working in genre films. Written self-reflexively, the chapter extends an anecdote of how the ...
Bad Bis Go to Hell: Bisexuality as Transgressive and Lucrative in Doris Wishman’s Roughies
Bad Bis Go to Hell: Bisexuality as Transgressive and Lucrative in Doris Wishman’s Roughies
This chapter examines the presence of bisexuality in the content and marketing of Wishman’s roughies of the 1960s and frames Wishman’s engagement with bisexuality though tracing th...
Revolutionization of the EroticScreen: The Films of DorisWishman and Wakamatsu Koji
Revolutionization of the EroticScreen: The Films of DorisWishman and Wakamatsu Koji
This chapter compares the work of Wishman and Wakamatsu Koji, examining Wishman’s Double Agent 73/Deadly Weapon (1973, 1974) in conjunction with Wakamatsu’s contemporary works Seas...
Depicting Female Bodies: Doris Wishman, Carolee Schneemann, and Legacies of Subversion
Depicting Female Bodies: Doris Wishman, Carolee Schneemann, and Legacies of Subversion
This chapter explores the work of Doris Wishman and Carolee Schneemann, two women whose work explores the implications of being a woman, and what it meant to inhabit a body coded f...
“You can’t say you’re not gettinga horror film here!”: Authorship,Genre, and the AccidentalAvant-Garde in Doris Wishman’s
“You can’t say you’re not gettinga horror film here!”: Authorship,Genre, and the AccidentalAvant-Garde in Doris Wishman’s
This chapter considers the question of authorship in A Night to Dismember—a film commonly downplayed in Wishman’s oeuvre due to its stilted production and post-production history—a...
ReFocus: The Films of Doris Wishman
ReFocus: The Films of Doris Wishman
This volume—the first ever devoted to director Doris Wishman—covers her vast filmography, and is inclusive of her less discussed later films, hardcore films, and nudist films. By s...
INVOLVEMENT OF ETHYLENE IN THE HARDCORE SYNDROME OF SWEET POTATO ROOTS
INVOLVEMENT OF ETHYLENE IN THE HARDCORE SYNDROME OF SWEET POTATO ROOTS
ABSTRACT
Evidence presented supports our thesis that anethylene mediated reaction(s) functions in the series of events which lead to a market disorder of sweet po...
“It’s strange, but it’s wonderful”: Doris Wishman’s Nude on the Moon
“It’s strange, but it’s wonderful”: Doris Wishman’s Nude on the Moon
This chapter presents a narrative and genre analyses of Wishman’s Nude on the Moon to forward how the film flouts traditional conventions of the science fiction and nudist genres i...

