Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Flashing blades: the lighting requirements for fencing

View through CrossRef
The necessity for lighting guidelines to be rewritten is becoming increasingly obvious, particularly as far as daylighting design is concerned. In this study, current lighting recommendations for the sport of fencing are examined alongside the typical environmental conditions in which it has been practised. A detailed review of the visual environment of a daylit building designed in the '30s, Luigi Moretti's fencing academy in Rome, demonstrates that a broad range of criteria need to be taken into account when lighting requirements are defined.
Cambridge University Press (CUP)
Title: Flashing blades: the lighting requirements for fencing
Description:
The necessity for lighting guidelines to be rewritten is becoming increasingly obvious, particularly as far as daylighting design is concerned.
In this study, current lighting recommendations for the sport of fencing are examined alongside the typical environmental conditions in which it has been practised.
A detailed review of the visual environment of a daylit building designed in the '30s, Luigi Moretti's fencing academy in Rome, demonstrates that a broad range of criteria need to be taken into account when lighting requirements are defined.

Related Results

Methodological approach to creating an urban lighting atmosphere with regard to human needs
Methodological approach to creating an urban lighting atmosphere with regard to human needs
The purpose of this paper is to assess how lighting correlates with human needs and emotions and to examine the implications for lighting design. The complex variables of urb...
The Transition from Shepherding to Fencing in Colonial Australia
The Transition from Shepherding to Fencing in Colonial Australia
AbstractThe transition from shepherding to fencing in colonial Australia was a technological revolution replacing labour with capital. Fencing could not be widespread in Australia ...
Key to the conservation of calligraphy and painting relics in collection: proposing a lighting damage evaluation method
Key to the conservation of calligraphy and painting relics in collection: proposing a lighting damage evaluation method
AbstractAs an important supporting material for calligraphy and painting relics in collections, the silk substrate is generally in acidification. And owing to an extremely high lig...
Pedagogical Experiment with Portrait Lighting in Combination with different Actor’s intent in the case of novice Actors
Pedagogical Experiment with Portrait Lighting in Combination with different Actor’s intent in the case of novice Actors
Portrait lighting and acting both carry substantial weight in creating character engagement by the viewer, but are rarely researched in conjunction. At the same time both acting a...
Our Place in the Cosmos
Our Place in the Cosmos
Our world seems fine tuned in life-permitting ways. If the cosmos contains many universes, only the appropriately tuned ones can be seen by living beings. An alternative is that Go...
Comparisons among Earthquake Codes
Comparisons among Earthquake Codes
This review paper compares ANSI, NEHRP, SEAOC, and UBC. A few essential differences among these documents are as follows: (a) The NEHRP document gives force levels corresponding to...
Optimising the reintroduction of a specialist peatland butterfly Coenonympha tullia onto peatland restoration sites
Optimising the reintroduction of a specialist peatland butterfly Coenonympha tullia onto peatland restoration sites
Abstract The two main goals of peatland restoration are habitat improvement and climate change mitigation by reducing greenhouse gas emissions from damaged peatlands ...
The ‘modal theory’, fencing, and the death of Aubry
The ‘modal theory’, fencing, and the death of Aubry
On 29 June 1909, a jury of six scholars decreed that Pierre Aubry (1874–1910), in his bookTrouvères et Troubadours, had stolen the ‘modal’ interpretation of medieval monophony from...

Back to Top