Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Women Artists and Artisans in Venice and the Veneto, 1400-1750

View through CrossRef
This book of essays highlights the lives, careers, and works of art of women artists and artisans in Venice and its territories from the fourteenth to the eighteenth centuries. The collection represents the first fruits of an ongoing research program launched by Save Venice, Inc., Women Artists of Venice, directed by Professor Tracy Cooper of Temple University, in conjunction with a conservation program, led by Melissa Conn, Director of Save Venice, Inc. Inspired by a growing body of research that has resurrected female artists and artisans in Florence and Bologna during the last decade, the Save Venice project seeks to recover the history of women artists and artisans born or active in the Venetian republic in the early modern period. Topics include their contemporary reception - or historical silence - and current scholarship positioning them as individuals and as an underrepresented category in the history of art and cultural heritage.
Amsterdam University Press
Title: Women Artists and Artisans in Venice and the Veneto, 1400-1750
Description:
This book of essays highlights the lives, careers, and works of art of women artists and artisans in Venice and its territories from the fourteenth to the eighteenth centuries.
The collection represents the first fruits of an ongoing research program launched by Save Venice, Inc.
, Women Artists of Venice, directed by Professor Tracy Cooper of Temple University, in conjunction with a conservation program, led by Melissa Conn, Director of Save Venice, Inc.
Inspired by a growing body of research that has resurrected female artists and artisans in Florence and Bologna during the last decade, the Save Venice project seeks to recover the history of women artists and artisans born or active in the Venetian republic in the early modern period.
Topics include their contemporary reception - or historical silence - and current scholarship positioning them as individuals and as an underrepresented category in the history of art and cultural heritage.

Related Results

From Venice to Sicily
From Venice to Sicily
Chapter 3 focuses on Bembo’s complex motivations for leaving Venice for Messina in 1492, and particularly on four individuals who shaped his humanism both before and during his tim...
The Right Women
The Right Women
A powerful exploration of the role of women in the Republican Party that enhances readers' understanding of gender representation in the GOP and suggests solutions to address the p...
Women Artists in the Early Modern Courts of Europe
Women Artists in the Early Modern Courts of Europe
Women Artists in the Early Modern Courts of Europe, c. 1450.1700 presents the first collection of essays dedicated to women as producers of visual and material culture in the Early...
Women Artists in the Early Modern Courts of Europe
Women Artists in the Early Modern Courts of Europe
Women Artists in the Early Modern Courts of Europe, c. 1450.1700 presents the first collection of essays dedicated to women as producers of visual and material culture in the Early...
Italy
Italy
This chapter examines the development of other Italian communes in order to elucidate what city leaders thought they were doing when they moved into the new communal world. Emphasi...
Women Teaching International Studies
Women Teaching International Studies
One aspect of women’s professional experience in the field of international studies is that of teaching. Women’s experience in the gendered classroom has been shaped by three gener...
Women in Rock Memoirs
Women in Rock Memoirs
Abstract This volume presents a collection of essays on memoirs written by women in rock from 2010 onward. Scholars from different research areas and countries addre...
Byzantine Historical Writing, 900–1400
Byzantine Historical Writing, 900–1400
This chapter talks about how the dates 900 and 1400 are not entirely arbitrary divisions in the history of Byzantine historical writing. Approximately thirty-one pieces of Greek hi...

Back to Top