Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Magistra apostolorum : The Virgin Mary in Birgitta of Sweden and Vittoria Colonna

View through CrossRef
Vittoria Colonna used a series of role models, such as the heroines of classical mythology, or female saints such as Catherine of Alexandria and Mary Magdalene, in the construction of her image as an intellectually aspiring and moral exemplary noblewoman. This chapter argues that Birgitta of Sweden (1303–73) should be added to Colonna’s gallery of female models. As an aristocratic widow in Rome with reform inclinations, with a strong public voice, and above all with an extensive textual presence that extended throughout Italy and to other European countries, no one could fit better as Colonna’s exemplum than Birgitta. As this chapter explores, the clearest traces of Birgittine imitations are to be found in Colonna’s radical meditations on the Virgin Mary.
Amsterdam University Press
Title: Magistra apostolorum : The Virgin Mary in Birgitta of Sweden and Vittoria Colonna
Description:
Vittoria Colonna used a series of role models, such as the heroines of classical mythology, or female saints such as Catherine of Alexandria and Mary Magdalene, in the construction of her image as an intellectually aspiring and moral exemplary noblewoman.
This chapter argues that Birgitta of Sweden (1303–73) should be added to Colonna’s gallery of female models.
As an aristocratic widow in Rome with reform inclinations, with a strong public voice, and above all with an extensive textual presence that extended throughout Italy and to other European countries, no one could fit better as Colonna’s exemplum than Birgitta.
As this chapter explores, the clearest traces of Birgittine imitations are to be found in Colonna’s radical meditations on the Virgin Mary.

Related Results

Late Love: Vittoria Colonna and Reginald Pole
Late Love: Vittoria Colonna and Reginald Pole
In the final years of her life, Vittoria Colonna developed a profound attachment to the English Catholic cardinal, Reginald Pole, who had formed a circle of reformers in ...
‘She Showed the World a Beacon of Female Worth’ : Vittoria Colonna in Arcadia
‘She Showed the World a Beacon of Female Worth’ : Vittoria Colonna in Arcadia
The Accademia dell’Arcadia (founded 1690) deserves to play a leading role in any account of Vittoria Colonna’s posthumous influence. The author of the first ‘critical’ ed...
Drawing Christ’s Blood: Michelangelo, Vittoria Colonna, and the Aesthetics of Reform*
Drawing Christ’s Blood: Michelangelo, Vittoria Colonna, and the Aesthetics of Reform*
AbstractThis article discusses Michelangelo’s drawings for Vittoria Colonna in relation to poetry and prose by Michelangelo, Colonna, and their circle. It focuses on the intersecti...
‘Leading Others on the Road to Salvation’ : Vittoria Colonna and Her Readers
‘Leading Others on the Road to Salvation’ : Vittoria Colonna and Her Readers
This paper considers the question of Vittoria Colonna’s readership beyond the poet’s intimate circle of friends and associates. It asks who was reading Vittoria Colonna i...
‘I Take Thee’: Vittoria Colonna, Conjugal Verse and Male poeti colonnesi
‘I Take Thee’: Vittoria Colonna, Conjugal Verse and Male poeti colonnesi
It is widely known that Vittoria Colonna influenced female love lyricists, as well as spiritual Petrarchists of both genders. Generally unrecognized is the impact her amo...
Vittoria Colonna
Vittoria Colonna
Vittoria Colonna (b. 1490/2–d. 1547) made her name as the author of numerous lyric poems in the Petrarchan style in 16th-century Italy. Her poetry was widely published in printed e...
Introduction: The Twenty-First Century Vittoria Colonna
Introduction: The Twenty-First Century Vittoria Colonna
Although—unusually, for an early modern woman writer—Vittoria Colonna has long been considered part of the canon, several factors have inhibited a true appreciation of he...
‘Ex illo mea, mi Daniel, Victoria pendet’ : A Forgotten Spiritual Epigram by Vittoria Colonna
‘Ex illo mea, mi Daniel, Victoria pendet’ : A Forgotten Spiritual Epigram by Vittoria Colonna
On 27 November 1537, the Ferrarese humanist Daniele Fini sent a Latin epigram to Vittoria Colonna, at that time residing in Ferrara. She responded a few months later with...

Back to Top