Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Animalistic genre in Flemish and Dutch Golden Age art and its influence on West-European and Russian painting of the 18th and the first half of the 19th century
View through CrossRef
The formation of animalistic genre was a part of general process of West-European art development in the late 16th and 17th centuries. Flemish and Dutch masters acted as genuine innovators in the new field and determined the genre evolution in European countries for a long time. The article presents a typology of animalistic images and motifs in the art of Flanders and Holland and their influence on the work of Belgian, Dutch, German, English and Russian painters of the 18th and the first half of the 19th century.
Title: Animalistic genre in Flemish and Dutch Golden Age art and its influence on West-European and Russian painting of the 18th and the first half of the 19th century
Description:
The formation of animalistic genre was a part of general process of West-European art development in the late 16th and 17th centuries.
Flemish and Dutch masters acted as genuine innovators in the new field and determined the genre evolution in European countries for a long time.
The article presents a typology of animalistic images and motifs in the art of Flanders and Holland and their influence on the work of Belgian, Dutch, German, English and Russian painters of the 18th and the first half of the 19th century.
Related Results
Ary Scheffer, een Nederlandse Fransman
Ary Scheffer, een Nederlandse Fransman
AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that...
Portrait with a Pet and Portrait of a Pet in the Russian Painting of the 18th — Early 20th Centuries
Portrait with a Pet and Portrait of a Pet in the Russian Painting of the 18th — Early 20th Centuries
This article highlights and examines two types of portrait genre: portrait with a pet and portrait of a pet with reference to the Russian painting of the eighteenth — early twentie...
Violin miniature in creativity by Liudmila Shukailo: features of the genre interpretation
Violin miniature in creativity by Liudmila Shukailo: features of the genre interpretation
Background. Rapidness of information flows of contemporary life enforces to concentrate a significant amount of information in small formats. This fact meaningfully increases socia...
werkelijkheid of schijn. Het beeld van het Hollandse interieur in de zeventiende-eeuwse genreschilderkunst
werkelijkheid of schijn. Het beeld van het Hollandse interieur in de zeventiende-eeuwse genreschilderkunst
AbstractOur ideas of what 17th century Dutch interiors looked like have been conditioned by the hundreds of paintings of interiors by Dutch genre painters. Even restorations and re...
TECHNIQUES AND MEANS OF ANIMAL REPRESENTATION IN KAZAKH ANIMALISTIC PROSE
TECHNIQUES AND MEANS OF ANIMAL REPRESENTATION IN KAZAKH ANIMALISTIC PROSE
The article examines the peculiarities of animal representation in Kazakh animalistic prose, identifying the main artistic techniques and means used by authors to create vivid imag...
Antonello en de Nederlanden
Antonello en de Nederlanden
AbstractThe work of Antonello da Messina was the subject of a conference held at Messina from November 29 to December 2, 1981, as well as a number of related exhibitions. One of th...
A Comparison of Watercolor Painting and Boneless Painting: From Technique to Connotation
A Comparison of Watercolor Painting and Boneless Painting: From Technique to Connotation
Watercolor painting is a western painting method, which is concerned with the relationships of light and shadow as well as brightness and darkness. Chinese painting includes brush ...
GENRE-PLOT TYPOLOGY OF INTERIOR DECORATIVE PAINTING IN CHINESE PAINTING OF THE BEGINNING OF THE 21ST CENTURY
GENRE-PLOT TYPOLOGY OF INTERIOR DECORATIVE PAINTING IN CHINESE PAINTING OF THE BEGINNING OF THE 21ST CENTURY
The article is devoted to Chinese decorative painting of the beginning of the 21st century. The purpose of the article is the genre-plot typology of the interior decorative paintin...