Javascript must be enabled to continue!
Attraversare d’Annunzio? Corazzini, Gozzano e il Maestro (forse) avverso
View through CrossRef
The article discusses the relationship between d’Annunzio and the Crepuscular poets. Corazzini initially was an inconstant friend of d’Annunzio’s taste, but at the end of his life reconciles d’Annunzio’s flair for Nietzsche with mysticism and nationalistic ideology. In Turin both Graf and Thovez and the newspapers strongly fought the ideology of Superhumanism and the poet Gozzano showed how fake was d’Annunzio’s aestheticism, but at the same time could not and did not want to escape his influence, both in his verses and in his idea of literature (e.g. exploring and contradicting the model about the great antinomies Art/Life, Truth/Lie).
Title: Attraversare d’Annunzio?
Corazzini, Gozzano e il Maestro (forse) avverso
Description:
The article discusses the relationship between d’Annunzio and the Crepuscular poets.
Corazzini initially was an inconstant friend of d’Annunzio’s taste, but at the end of his life reconciles d’Annunzio’s flair for Nietzsche with mysticism and nationalistic ideology.
In Turin both Graf and Thovez and the newspapers strongly fought the ideology of Superhumanism and the poet Gozzano showed how fake was d’Annunzio’s aestheticism, but at the same time could not and did not want to escape his influence, both in his verses and in his idea of literature (e.
g.
exploring and contradicting the model about the great antinomies Art/Life, Truth/Lie).
Related Results
L’ “exil” français de d’Annunzio (1910-1915). Reconstruction d’une expérience intellectuelle et littéraire
L’ “exil” français de d’Annunzio (1910-1915). Reconstruction d’une expérience intellectuelle et littéraire
La reconstruction de l’expérience intellectuelle et littéraire mûrie par Gabriele d’Annunzio durant son ‘exil ’ volontaire en France (1910-1915) a mis en évidence de nombreux aspec...
El maestro exterior y el Maestro interior en Del Maestro
El maestro exterior y el Maestro interior en Del Maestro
San Agustín en su obra Del Maestro sólo reconoce a Dios como Maestro y rechaza la idea de que el maestro humano enseñe. Ante esta situación, el interrogante que surge es ¿qué tarea...
Mario Gozzano: The Work of an EEG Pioneer
Mario Gozzano: The Work of an EEG Pioneer
The study of the early history of electroencephalography can yield fascinating insights and surprises. A revisit to the work of Mario Gozzano (1898–1986) has proved to be particula...
Síndrome Gorlin-Goltz: relato de caso
Síndrome Gorlin-Goltz: relato de caso
Síndrome Gorlin-Goltz (SGG) é uma desordem rara autossômica dominante. Apesar de hereditária, há casos de mutação espontânea. Caracteriza-se pela predisposição cancerígena e várias...
MAESTRO instrument operation and performance over two decades in orbit
MAESTRO instrument operation and performance over two decades in orbit
Abstract. MAESTRO (Measurement of Aerosol Extinction in the Stratosphere and Troposphere Retrieved by Occultation), a dual UV (ultraviolet) and Visible-NIR (visible-near-infrared) ...
Historia y memoria entre melodías. Catálogo del fondo Alfonso Esparza Oteo (1894-1950)
Historia y memoria entre melodías. Catálogo del fondo Alfonso Esparza Oteo (1894-1950)
El Fondo Alfonso Esparza Oteo que se resguarda en la Bóveda Jesús F. Contreras está conformado por los papeles personales y producción musical del músico y compositor aguascalenten...
Il Vate e il suo doppio ironico
Altre note su Thomas Mann lettore di d’Annunzio
Il Vate e il suo doppio ironico
Altre note su Thomas Mann lettore di d’Annunzio
In Germany, beginning from the last decade of XIX century, the fame of Gabriele d’Annunzio grew increasingly thanks to a continue flow of translations, which made him one of the mo...
Omaggio a un poeta. Sereni e d’Annunzio
Omaggio a un poeta. Sereni e d’Annunzio
This article explores Vittorio Sereni’s attitude towards the literary legacy of d’Annunzio, as expressed in particular in the poem “La poesia è una passione?”, in which Sereni expl...

