Mention of Khoja Muhammad Porso and Khoja Ubaydullah Ahrar in "Nasayim ul-Muhabbat"

The style of a work is created in any era based on the author's purpose and thinking. If we evaluate the works of the Navoi era, that is, the examples of art characteristic of the 15th-16th centuries, as belonging to one era style, we will approach the issue unilaterally. Because each of the works created by Navoi has its own style. In them, the author can rise to the level of the main character, but the differences in the use of words and the expression of their attitude to the surrounding events demonstrate their stylistic uniqueness. For example, there is a sufficient difference between the style of briefly and concisely expressing events in historical works and the emotionality in memoirs. Therefore, the concept of "writer's style" is also general, and in turn, it is divided into specific directions such as the style of the writer's works, and shows that each work of art has its own style, and moreover, there may be several stylistic features in one work. There are also stylistic peculiarities in the description of the chapters in the tazkira "Nasoyim ul-muhabbat", one of which can be mentioned as the expression of Sufi ideas. In this article, the incorporation of Naqshbandi principles in the chapters about Khoja Muhammad Porso and Khoja Ubaydulloh Ahror is comparatively analyzed, and the places where Sufi ideas are promoted are highlighted.