Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Leroi-Gourhan's Le Geste et la parole: The Evolution of Technology

View through CrossRef
This article looks at André Leroi-Gourhan's work on prehistory in the two volumes of Le Geste et la parole (1964), considering it as a continuation of his wider project of a comparative technology. The first volume concentrates on the interaction between body and brain in human evolution. In contrast to interpretations of evolution that focus on the development of the brain as a primary factor, Leroi-Gourhan insists that its evolution is entirely dependent on the adaptive possibilities of body structure. Although cybernetics is never explicitly referenced in this work, its influence on his conceptualization of the evolution and history of technology is clear. For example, he draws on a cybernetically-inflected vocabulary of command and control to describe the coupling of nervous system and body in vertebrae evolution. In the second volume of Le Geste, the conceptual input of cybernetics becomes still more apparent as the focus of analysis is on the question of memory and technics. Leroi-Gourhan argues that the evolution of technology imitates the evolution of living systems, and that the historical development of human society is like the growth of an organism. The influence of cybernetics is evident in the fact that the difference between animal forms is conceived in terms of relative degrees of ‘programming’. Leroi-Gourhan proposes in this way a modelling of biological systems which is typical of cybernetics, drawing attention to the functional similarities between animal and mechanical systems. While not teleological, Leroi-Gourhan's history of technology is deterministic to the extent that the sequence of externalizations is not an arbitrary development but the necessary product of the intersection of the human organism and the material world.
Title: Leroi-Gourhan's Le Geste et la parole: The Evolution of Technology
Description:
This article looks at André Leroi-Gourhan's work on prehistory in the two volumes of Le Geste et la parole (1964), considering it as a continuation of his wider project of a comparative technology.
The first volume concentrates on the interaction between body and brain in human evolution.
In contrast to interpretations of evolution that focus on the development of the brain as a primary factor, Leroi-Gourhan insists that its evolution is entirely dependent on the adaptive possibilities of body structure.
Although cybernetics is never explicitly referenced in this work, its influence on his conceptualization of the evolution and history of technology is clear.
For example, he draws on a cybernetically-inflected vocabulary of command and control to describe the coupling of nervous system and body in vertebrae evolution.
In the second volume of Le Geste, the conceptual input of cybernetics becomes still more apparent as the focus of analysis is on the question of memory and technics.
Leroi-Gourhan argues that the evolution of technology imitates the evolution of living systems, and that the historical development of human society is like the growth of an organism.
The influence of cybernetics is evident in the fact that the difference between animal forms is conceived in terms of relative degrees of ‘programming’.
Leroi-Gourhan proposes in this way a modelling of biological systems which is typical of cybernetics, drawing attention to the functional similarities between animal and mechanical systems.
While not teleological, Leroi-Gourhan's history of technology is deterministic to the extent that the sequence of externalizations is not an arbitrary development but the necessary product of the intersection of the human organism and the material world.

Related Results

The Invention of Technology
The Invention of Technology
What is technology? How and why did techniques – including materials, tools, processes and products – become central subjects of study in anthropology and archaeology? In this book...
L’Acte de Parole Directif dans la Bande-Dessinée (BD) Astérix Chez les Helvètes par René Goscinny et Albert Uderzo
L’Acte de Parole Directif dans la Bande-Dessinée (BD) Astérix Chez les Helvètes par René Goscinny et Albert Uderzo
Les actes pris par les humains quand se divise prononcent ce discours est appelé des actes de parole. L’actes de parole a divisé en trois types, ces sont l’acte de parole locutoire...
L’ACTE DE PAROLE DIRECTIF DANS LA BANDE-DESSINEE (BD) ASTERIX CHEZ LES HELVETES PAR RENE GOSCINNY ET ALBERT UDERZO. MEMOIRE
L’ACTE DE PAROLE DIRECTIF DANS LA BANDE-DESSINEE (BD) ASTERIX CHEZ LES HELVETES PAR RENE GOSCINNY ET ALBERT UDERZO. MEMOIRE
Les actes pris par les humains quand se divise prononcent ce discours est appelé des actes de parole. L’actes de parole a divisé en trois types, ces sont l’acte de parole locutoire...
L'abri du Lagopède (fouilles Leroi-Gourhan) et le Magdalénien des grottes de la Cure (Yonne)
L'abri du Lagopède (fouilles Leroi-Gourhan) et le Magdalénien des grottes de la Cure (Yonne)
Lagopède rock shelter is part of the Arcy cave ensemble, excavated by A. Leroi-Gourhan. A sequence of horizons developing from Lascaux interstad to the start of Alleröd is identifi...
Les recherches à Lascaux (1952-1963)
Les recherches à Lascaux (1952-1963)
Pendant une douzaine d’années, de 1952 à 1963, André Glory a travaillé à Lascaux, pour calquer les gravures pariétales, assister aux travaux de terrassement qui excavaient tous les...
Unsupervised multilingual models of speech representation, an approach inspired by cognitive science
Unsupervised multilingual models of speech representation, an approach inspired by cognitive science
Apprentissage non supervisé de modèles multilingues de représentation de la parole, une approche inspirée des sciences cognitives La parole, qui est essentielle à l...
Perceiving whistled speech : a study of musicians' capacity for language processing
Perceiving whistled speech : a study of musicians' capacity for language processing
Perception de la parole sifflée : étude de la capacité de traitement langagier des musiciens La perception de la parole est un processus qui doit s'adapter à un gra...

Back to Top