Cultural agents and creative arts

The combined experience of authors throughout the ages offers a wealth of valuable information about the practice of writing. However, such lore can also be problematic for student...

Romanticized notions of how one becomes an “artist” have long been questioned, so why do we still fetishize them in popular culture, turning a blind eye to the politics of exclusio...

Introduction to Arts Management offers a unique, dynamic and savvy guide to managing a performing or visual arts organization, be that an arts center, theatre, museum, art gallery,...

John Tusa has been Managing Director of London’s Barbican Centre for more than a decade. In that time, he has been a notable controversialist, speaking up for the need for the arts...

In this chapter, the global creative economy discursive regime is shown to be a spatially-differentiated and power-laden practice. Analyzing the ways in which heritage, creative ec...

Over a distinguished career in cultural leadership, management and journalism spanning almost 30 years, John Tusa has amassed a unique experience of the arts world, the political c...

<p dir="ltr">Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” ...

How may the lives of individuals and a community be impacted by a durational applied theatre and arts-based project? What lessons does it provide for arts practitioners working for...