Javascript must be enabled to continue!
Study for a portrait || Italian still life
View through Europeana Collections
The artwork "Study for a Portrait" by Liubov Popova, which is part of the Kostakis Collection at the MOMus - Museum of Modern Art, is one of the preserved versions of the "Portrait." It serves as a characteristic example of the mature phase of the artist's Cubo-Futurist period, during which she achieved frontality without entirely eliminating the sense of depth. The Cubist analysis of form into planes, along with the simultaneous presence of wavy lines in the hair, accomplishes frontality and brings the composition closer to the viewer. Additionally, triangular and diagonal structural relationships prevail over orthogonal ones.
The words "CUB[O]" "FUTURISMO" on the painting surface likely constitute a statement by the artist regarding the aesthetic and functional rules of Cubo-Futurism.
During the restoration of the painting in 2005 at the former State Museum of Contemporary Art in Thessaloniki, another artwork was discovered on the back of the paper: a highly comprehensive study for the work "Italian Still Life," which is located at the Tretyakov Gallery in Moscow.
Metropolitan Organisation of Museums of Visual Arts of Thessaloniki – MOMus
Title: Study for a portrait || Italian still life
Description:
The artwork "Study for a Portrait" by Liubov Popova, which is part of the Kostakis Collection at the MOMus - Museum of Modern Art, is one of the preserved versions of the "Portrait.
" It serves as a characteristic example of the mature phase of the artist's Cubo-Futurist period, during which she achieved frontality without entirely eliminating the sense of depth.
The Cubist analysis of form into planes, along with the simultaneous presence of wavy lines in the hair, accomplishes frontality and brings the composition closer to the viewer.
Additionally, triangular and diagonal structural relationships prevail over orthogonal ones.
The words "CUB[O]" "FUTURISMO" on the painting surface likely constitute a statement by the artist regarding the aesthetic and functional rules of Cubo-Futurism.
During the restoration of the painting in 2005 at the former State Museum of Contemporary Art in Thessaloniki, another artwork was discovered on the back of the paper: a highly comprehensive study for the work "Italian Still Life," which is located at the Tretyakov Gallery in Moscow.
Related Results
Sketchbook
Sketchbook
Sketchbook with blue- and black-fabric-covered cardboard covers. Sewn page block; pages of off-white wove paper, each 27.6 x 21.6 cm. Each sheet numbered on verso at l.l. Drawin...
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
This triptych comprises a set of three hanging scrolls, each painted in ink on paper. The central scroll is a formal portrait of Mao Zedong (1893–1976); the flanking scrolls repres...
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
This triptych comprises a set of three hanging scrolls, each painted in ink on paper. The central scroll is a formal portrait of Mao Zedong (1893–1976); the flanking scrolls repres...
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
This triptych comprises a set of three hanging scrolls, each painted in ink on paper. The central scroll is a formal portrait of Mao Zedong (1893–1976); the flanking scrolls repres...
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
Ten Thousand Years, Ten Thousand Years of Sleep, One Hundred Million Scattered Pieces
This triptych comprises a set of three hanging scrolls, each painted in ink on paper. The central scroll is a formal portrait of Mao Zedong (1893–1976); the flanking scrolls repres...

