S. k. protection cage repeater

Boett of gold in two colors, dial of enamel, work with pcs. k. Spindle and Percussion. Decor engraved, partly in broken pattern. Ground shell in yellow, slightly convex, with a vulst-shaped outer edge. On the center of the shell a smooth field, in the middle of which an almost obliterated little bow, at the left edge a hole for the barrel. Ring the field a frame of coherent arches with the ends alternately inward and outward facing. Calling the outer edge a finely lengthened wide stretcher, divided into triangular fields off in zig-zag obliquely transverse bands, in the steaks rectangular holes, set in zigzag one above the other; the top and the bottom field unbroken, along the middle of the entire stretcher a spard stripe with flowers and leaves. Calling the upper edge a narrow stretcher with a wave band between two narrow stripes. Glass frame in red, narrow, smooth, with strong convex glass, the scharner at the upper edge, at the opposite a nail bracket. Bygel lying oval, with flat inside and profiled outside. The jaw bracket is made of a cylindrical tube, with a sliding post, on the upper end of the barrel a round flat knob; the post joined by the percussion. Dial white, with black Arabic hour and minute figures, which are read from below, the latter given only for every quarter, between these minute points. Viewer two, of gold, broken through. The hourly hand with a narrow stem of three contiguous, cornered squares, on the outer end a bow, starting a narrow tip; the minute hand with a stylized S-shaped ornament, starting from a long tip. Action with round oroklove of gilded brass, broken through, with symmetrical acanthus leaf ornaments, in the middle a small round bow. Ruckartafla of silver, rotatable, on this engraved and filled with black pulp: around the edge between two coarse lines a sparse division of arrowheads and numbers 1-6, of which only three are visible, the others obscured by the oroklova; around the outer edge a division of small crossbars. Percussion striking full hours and blocks, when the existing post in the building bracket was shot. The sound is induced by two seated steel hammers on the edge of the work, which strike a bowl of bell metal in the bottom shell, attached to the shell with a blue screw. The work on the same scharner as the glass frame, at the opposite edge a spring hook with a through the board postponing nail print. Protective Boat Of Gold. Decor driven, ciselled, partly in broken pattern. On the bottom shell in the middle towards the bottom a figure scene (AENEAS’s farewell to DIDO?): On the left a seated man, facing right, with long curly hair, untouched harnetics and draped creature, left arm slightly extended, right at the side; next to him on the right a seated woman, facing forward, with a bare chest and in draped thin dress, right hand against the cheek, left at the knee; behind the man an elderly man, sight, The figure scene within the framework of cohesive profiled rococo arches, alternating with the ends facing outwards and inwards. Calling the outer edge four broken through fields with acanthus leaf loops, between the fields a spard mussel decoration. Glass frame in decor similar to that on the outer edge of the bottom shell, around the upper edge a profiled strip. Calling the upper edge of the bottom shell and the lower edge of the glass frame a obliquely protruding similar cunning, which moldings together form a sharply bought back. The Scharner at the left edge, at the opposite a spring hook with a protruding pressure knob; in the glass frame a small knob shaped nail attachment. Inside the bottom shell a pale bright red silk patch, under this two patches of white paper, on the lower one written in German with black ink.