Javascript must be enabled to continue!
Tetradrachm of Leontinoi, Sicily
View through Harvard Museums
Obverse: Head of Apollo with long waved hair rolled up at the back, wearing laurel wreath to l.
Reverse: Lion's head surrounded by four wheat grains
Department of Ancient and Byzantine Art & Numismatics
Harvard Art Museums/Arthur M. Sackler Museum Bequest of Frederick M. Watkins
Title: Tetradrachm of Leontinoi, Sicily
Description:
Obverse: Head of Apollo with long waved hair rolled up at the back, wearing laurel wreath to l.
Reverse: Lion's head surrounded by four wheat grains.
Related Results
Nomos of Kroton struck over a didrachm of Leontinoi
Nomos of Kroton struck over a didrachm of Leontinoi
Obv.: tripod; to left heron. Under the tripod the rider of the didrachm of Leontinoi (similar to 1.1965.625) is visible.
Rev.: tripod in incuse; traces of the lion's head to r. of...
The Presentation of the Captain General's Baton to Antonio Moncada by the Queen Regent Blanca of Sicily in 1410
The Presentation of the Captain General's Baton to Antonio Moncada by the Queen Regent Blanca of Sicily in 1410
Collaboration between painters was a habitual practice in both Holland and Flanders. The specialisation that had come about in painting in various genres that became fully independ...
Tetradrachm of Gela
Tetradrachm of Gela
Obv.: GELAS Forepart of river god. Linear border.
Rev.: SOSIPONIS Female head l. Linear border....
Tetradrachm of Motya (Sicily)
Tetradrachm of Motya (Sicily)
Obverse: Head of nymph to r. copied from Kimon’s Arethusa dekadrachms, with long hair pulled up in a bun and held in a net, metal headband above forehead, wearing pendant earrings ...
Tetradrachm of Selinous (Sicily)
Tetradrachm of Selinous (Sicily)
obverse: Apollo, shooting with bow and arrow, and [Artemis] in quadriga, horses walking.
reverse: SELINONTI[ON], river-god Selinos with phiale and branch sacrificing over altar, i...
The Submission of the Sicilian Rebels to Antonio Moncada in 1411
The Submission of the Sicilian Rebels to Antonio Moncada in 1411
Collaboration between painters was a habitual practice in both Holland and Flanders. The specialisation that had come about in painting in various genres that became fully independ...

