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The conclusion describes and analyzes an informal performance of the song “Joy Bubble” by Tiffany Tamaribuchi and its expansion into the dance “Tanko Bushi,” a popular obon song, at a 2017 gathering. In August 2017, more than forty women convened in San Diego, California, for a three-day event focused on women and taiko. The layering of two different but related songs—one new and one old—highlights the similarities between the Asian American movement and the current political moment, as well as the role of performance in resisting oppressive structures. After a brief review of the book’s main arguments, the chapter concludes with questions about the future of taiko.
Title: Conclusion
Description:
The conclusion describes and analyzes an informal performance of the song “Joy Bubble” by Tiffany Tamaribuchi and its expansion into the dance “Tanko Bushi,” a popular obon song, at a 2017 gathering.
In August 2017, more than forty women convened in San Diego, California, for a three-day event focused on women and taiko.
The layering of two different but related songs—one new and one old—highlights the similarities between the Asian American movement and the current political moment, as well as the role of performance in resisting oppressive structures.
After a brief review of the book’s main arguments, the chapter concludes with questions about the future of taiko.
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