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NINO MIER GALLERY at Art Brussels 2025
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The Virgin lactans
The Virgin lactans
La Virgen dando de mamar al Niño entró en la colección Thyssen-Bornemisza en 1931. Sin embargo, la primera vez que apareció en sus catálogos fue en el estudio de Colin Eisler sobre...
A parasol with handle of composition ivory carved with a lily-of-the-valley design, the canopy of Brussels bobbin lace applied to machine-made net, over black silk taffeta. Lined with white silk taffeta and trimmed with black satin ribbon raced with white
A parasol with handle of composition ivory carved with a lily-of-the-valley design, the canopy of Brussels bobbin lace applied to machine-made net, over black silk taffeta. Lined with white silk taffeta and trimmed with black satin ribbon raced with white
A parasol with handle of composition ivory carved with a lily-of-the-valley design, the canopy of Brussels bobbin lace applied to machine-made net, over black silk taffeta. Lined w...
Cap and lappets in Brussels bobin lace, Brabant, 1720s. Cap and lappets in Brussels bobin lace. Bobbin lace.
Cap and lappets in Brussels bobin lace, Brabant, 1720s. Cap and lappets in Brussels bobin lace. Bobbin lace.
Cap and lappets in Brussels bobin lace, Brabant, 1720s. Cap and lappets in Brussels bobin lace. Bobbin lace....
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur James Lewis was a London landscape and portrait painter, and illustrator.
Arthur (James) Lewis (1824-1901), husband of Kate Terry, and grandfather of John Gielgud. It appears he was also a painter and a musician, with a connection to J M Whistler.
Arthur...
Portrait of a Donor
Portrait of a Donor
This small portrait entered the Thyssen-Bornemisza collection in 1930 and was included in the exhibition at the Neue Pinakothek in Munich, where it was attributed to Lucas van Leyd...