Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Khaled Al Siddiq

View through CrossRef
Khaled Mohamad Al Siddiq (also known as Kaled Mohamad Sidik) was born in Kuwait in 1945. He is best recognized as the director of what is considered the first feature film directed by a Gulf national, The Cruel Sea (Bas ya Bahar, 1972), which he also financed. It won the FIPRESCI award at the Venice Film Festival in its debut and went on to win awards at international film festivals in Chicago, Tehran, Damascus, and Carthage, and continues to play in film retrospectives around the world. It is a tragic portrait of the lives of pearl divers and their families, set in a pre-petroleum Gulf. It stars two of Kuwait’s most famous theater and television actors, Saad Al Faraj and Hayat Al Fahad, who play the parents of young man, played by Mohammed Al Mansour, determined to follow in his father’s steps and become a pearl diver, despite his parents’ pleas that he does not. His main goal is to make money so he can marry his neighbor, Noura (Amal Bakr), who is from a wealthier family. The film was censored in Kuwait before it screened there, deleting a rape scene during a wedding. Al Siddiq made only one other feature film, Wedding of Zain (Ors Zein, 1976), set in Africa and based on a story by the celebrated Sudanese writer Tayeb Saleh. It was selected for the Cannes Film Festival Director’s Fortnight in 1976. Since 1976, he has worked to finance several films, succeeding in co-producing two features: Heart of a Tyrant (1985, Hungary), directed by Milos Janco, and Forest of Love (Italy, 1983), directed by Alberto Bevilacqua. In 1990, Al Siddiq was editing a feature, Shaheen of Winter and Summer, filmed in Italy and Asia, but work stopped during the Kuwait invasion, during which some of the original footage were destroyed. He never released the film. Al Siddiq still lives in Kuwait. His father was a merchant trading with India, and Al Siddiq was educated at St. Peter’s High School in Bombay in the pre-oil era. He began his introduction to filmmaking volunteering at film studios in India. He also trained in filmmaking in Italy, the United Kingdom, and the United States. He made his first short film in 1965. Called Alia and Esam, it is based on a Bedouin poem about two lovers from rival tribes who sacrifice their lives to be together. Other shorts followed, all of which he independently financed and often acted in: Stage of Hope (1969), Faces of The Night (1968, Bronze Award, Tashkent Film Festival), Internal Security (1967), Last Voyage (1966). Al Siddiq appears as an actor in several of these films, and he was the first Kuwaiti director to transition Kuwaiti TV and theater actors into film actors. He received his first award at the Carthage Film Festival for the short documentary The Falcon (1965). Unlike his other films, which were self-financed, including The Cruel Sea, The Falcon was funded and commissioned by the government of Kuwait. Al Siddiq retains full rights to and copies of most of these short films, but declines to make them public. However, since the mid-2000s the Gulf countries, particularly the UAE and Qatar, began to invest heavily in film production and film festivals, and the concept of “Gulf cinema” developed. This has included training and festival categories just to support and encourage Gulf filmmakers, and this opened the door to looking back at what Gulf cinema already existed. That door always leads to The Cruel Sea, which up until the 2000s was the only Gulf-made film that had an international audience. This led to its revival in festival retrospectives. It has become the anchor film of the Gulf film history narrative. Al Siddiq has also directed Kuwaiti TV series and variety programs. From 1966 to 1973 he was a news reader with a Radio Kuwaiti English-language program. He has received honorary awards from the Dubai International Film Festival (2013), Doha Tribeca Film Festival (2012), and the Gulf Film Festival (2009). Since 1980 he has been on the board of directors of the Asia-Pacific Producers Association.
Oxford University Press
Title: Khaled Al Siddiq
Description:
Khaled Mohamad Al Siddiq (also known as Kaled Mohamad Sidik) was born in Kuwait in 1945.
He is best recognized as the director of what is considered the first feature film directed by a Gulf national, The Cruel Sea (Bas ya Bahar, 1972), which he also financed.
It won the FIPRESCI award at the Venice Film Festival in its debut and went on to win awards at international film festivals in Chicago, Tehran, Damascus, and Carthage, and continues to play in film retrospectives around the world.
It is a tragic portrait of the lives of pearl divers and their families, set in a pre-petroleum Gulf.
It stars two of Kuwait’s most famous theater and television actors, Saad Al Faraj and Hayat Al Fahad, who play the parents of young man, played by Mohammed Al Mansour, determined to follow in his father’s steps and become a pearl diver, despite his parents’ pleas that he does not.
His main goal is to make money so he can marry his neighbor, Noura (Amal Bakr), who is from a wealthier family.
The film was censored in Kuwait before it screened there, deleting a rape scene during a wedding.
Al Siddiq made only one other feature film, Wedding of Zain (Ors Zein, 1976), set in Africa and based on a story by the celebrated Sudanese writer Tayeb Saleh.
It was selected for the Cannes Film Festival Director’s Fortnight in 1976.
Since 1976, he has worked to finance several films, succeeding in co-producing two features: Heart of a Tyrant (1985, Hungary), directed by Milos Janco, and Forest of Love (Italy, 1983), directed by Alberto Bevilacqua.
In 1990, Al Siddiq was editing a feature, Shaheen of Winter and Summer, filmed in Italy and Asia, but work stopped during the Kuwait invasion, during which some of the original footage were destroyed.
He never released the film.
Al Siddiq still lives in Kuwait.
His father was a merchant trading with India, and Al Siddiq was educated at St.
Peter’s High School in Bombay in the pre-oil era.
He began his introduction to filmmaking volunteering at film studios in India.
He also trained in filmmaking in Italy, the United Kingdom, and the United States.
He made his first short film in 1965.
Called Alia and Esam, it is based on a Bedouin poem about two lovers from rival tribes who sacrifice their lives to be together.
Other shorts followed, all of which he independently financed and often acted in: Stage of Hope (1969), Faces of The Night (1968, Bronze Award, Tashkent Film Festival), Internal Security (1967), Last Voyage (1966).
Al Siddiq appears as an actor in several of these films, and he was the first Kuwaiti director to transition Kuwaiti TV and theater actors into film actors.
He received his first award at the Carthage Film Festival for the short documentary The Falcon (1965).
Unlike his other films, which were self-financed, including The Cruel Sea, The Falcon was funded and commissioned by the government of Kuwait.
Al Siddiq retains full rights to and copies of most of these short films, but declines to make them public.
However, since the mid-2000s the Gulf countries, particularly the UAE and Qatar, began to invest heavily in film production and film festivals, and the concept of “Gulf cinema” developed.
This has included training and festival categories just to support and encourage Gulf filmmakers, and this opened the door to looking back at what Gulf cinema already existed.
That door always leads to The Cruel Sea, which up until the 2000s was the only Gulf-made film that had an international audience.
This led to its revival in festival retrospectives.
It has become the anchor film of the Gulf film history narrative.
Al Siddiq has also directed Kuwaiti TV series and variety programs.
From 1966 to 1973 he was a news reader with a Radio Kuwaiti English-language program.
He has received honorary awards from the Dubai International Film Festival (2013), Doha Tribeca Film Festival (2012), and the Gulf Film Festival (2009).
Since 1980 he has been on the board of directors of the Asia-Pacific Producers Association.

Related Results

Memahami Sifat Shiddiq Nabi Muhammad SAW Perspektif Bisnis Syariah
Memahami Sifat Shiddiq Nabi Muhammad SAW Perspektif Bisnis Syariah
The Qur'an is very concerned about ethics in business. The people of Medina are people who often cheat in measuring and weighing, so Allah SWT decreases the surat of al-Mutaffifin ...
KRITIK OTORITARIANISME TEKS DENGAN PISAU HERMENEUTIK; KAJIAN TERHADAP PEMIKIRAN KHALED M ABOU KHALED
KRITIK OTORITARIANISME TEKS DENGAN PISAU HERMENEUTIK; KAJIAN TERHADAP PEMIKIRAN KHALED M ABOU KHALED
Khaled is one of scholars who is really anxious to the Islamic law. He against the fatwas produced by some institutions or certain scholars, especially, a fatwa regarding fiqh as t...
KRITIK OTORITARIANISME TEKS DENGAN PISAU HERMENEUTIK; KAJIAN TERHADAP PEMIKIRAN KHALED M ABOU KHALED
KRITIK OTORITARIANISME TEKS DENGAN PISAU HERMENEUTIK; KAJIAN TERHADAP PEMIKIRAN KHALED M ABOU KHALED
Khaled is one of scholars who is really anxious to the Islamic law. He against the fatwas produced by some institutions or certain scholars, especially, a fatwa regarding fiqh as t...
KONSEP HERMENEUTIKA OTORITATIF KHALED ABOU EL-FADL
KONSEP HERMENEUTIKA OTORITATIF KHALED ABOU EL-FADL
Tulisan ini memaparkan secara kritis Hermeneutika Otoritatif Khaled Abou el-Fadl dalam membaca teks-teks keagamaan. Dari paparan tersebut didapati bahwa hermeneutika Khaled secara ...
HERMENEUTIKA HADIS KHALED M. ABOU EL FADL
HERMENEUTIKA HADIS KHALED M. ABOU EL FADL
<p>This paper reviews the hermeneutic Khaled M. Abou El-Fadl, in his work entitled <em>Speaking God’s Name: Authority and Women</em>. This figure is interesting t...
Relationality and the Gadamerian “Horizontverschmelzung”: Khaled Abou El Fadl
Relationality and the Gadamerian “Horizontverschmelzung”: Khaled Abou El Fadl
While the notion of philosophical hermeneutics and its impact on discourses of Islamic law and ethics have been a continuous feature of comparative and religious study in the recen...
PEMAHAMAN HADIS TENTANG PEREMPUAN MENURUT KHALED ABOU EL FADL
PEMAHAMAN HADIS TENTANG PEREMPUAN MENURUT KHALED ABOU EL FADL
Sebagian besar wacana keislaman yang populer di kalangan umat muslim serta wacana yang sering pula disampaikan oleh para da’i dan pemfatwa di hampir seluruh Negara muslim relatif t...
Leila Khaled: que corpo é este?
Leila Khaled: que corpo é este?
Resumo: Em 1969, a revolucionária palestiniana Leila Khaled desviou um avião e ficou conhecida como a primeira mulher hijacker. A história desta mulher foi, estranhamente, pouco ou...

Back to Top