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On Ælfric and Old English Metrical Theory
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In 2016, Thomas A. Bredehoft wrote a reply to my criticism of his theory of Old English metre, according to which Ælfric's rhythmical compositions ought to be considered verse rather than prose. Here, I provide an answer to some of the points and some of the objections raised in his 2016 essay. I conclude that Bredehoft's criticism of traditional Old English metrical theory is unwarranted, and that Ælfric appears to have regarded his rhythmical style as a special manner of prose composition. The piece ends in a positive note, commending Bredehoft for his work on Laȝamon's Brut and Chronicle verse.
Title: On Ælfric and Old English Metrical Theory
Description:
In 2016, Thomas A.
Bredehoft wrote a reply to my criticism of his theory of Old English metre, according to which Ælfric's rhythmical compositions ought to be considered verse rather than prose.
Here, I provide an answer to some of the points and some of the objections raised in his 2016 essay.
I conclude that Bredehoft's criticism of traditional Old English metrical theory is unwarranted, and that Ælfric appears to have regarded his rhythmical style as a special manner of prose composition.
The piece ends in a positive note, commending Bredehoft for his work on Laȝamon's Brut and Chronicle verse.
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