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Beyond Laughter: Ambivalent Humor in the Comedy of Matt Rife

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This paper examines the stand-up comedy of American comedian Matt Rife to explore the political and affective dimensions of contemporary humor. Rife frequently uses socially sensitive topics—such as race, gender, body image, and disability—as material for his jokes, eliciting both discomfort and laughter from audiences. His performances challenge the boundaries of political correctness and moral regulation, positioning humor as a tool for both critique and catharsis. However, his comedy also raises concerns about the reproduction of social hierarchies and the ethics of punching down. The paper argues that humor functions as a double-edged mechanism: it can disrupt dominant norms and offer emotional release, but it can also reinforce stereotypes and exclusionary dynamics. Particular attention is given to the affective responses generated in live performances and online fan communities, where laughter becomes a site of emotional resonance, complicity, or resistance. Through Rife’s case, the study shows how humor today operates as a cultural practice where taboos, freedom of expression, and moral fatigue intersect. Ultimately, the paper highlights how humor reflects and mediates broader tensions in contemporary society—between speech and censorship, empathy and ridicule, liberation and harm.
The Criticism and Theory Society of Korea
Title: Beyond Laughter: Ambivalent Humor in the Comedy of Matt Rife
Description:
This paper examines the stand-up comedy of American comedian Matt Rife to explore the political and affective dimensions of contemporary humor.
Rife frequently uses socially sensitive topics—such as race, gender, body image, and disability—as material for his jokes, eliciting both discomfort and laughter from audiences.
His performances challenge the boundaries of political correctness and moral regulation, positioning humor as a tool for both critique and catharsis.
However, his comedy also raises concerns about the reproduction of social hierarchies and the ethics of punching down.
The paper argues that humor functions as a double-edged mechanism: it can disrupt dominant norms and offer emotional release, but it can also reinforce stereotypes and exclusionary dynamics.
Particular attention is given to the affective responses generated in live performances and online fan communities, where laughter becomes a site of emotional resonance, complicity, or resistance.
Through Rife’s case, the study shows how humor today operates as a cultural practice where taboos, freedom of expression, and moral fatigue intersect.
Ultimately, the paper highlights how humor reflects and mediates broader tensions in contemporary society—between speech and censorship, empathy and ridicule, liberation and harm.

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