Javascript must be enabled to continue!
Gentle Imprints: A Photographic Dialogue on Body, Time and Nature
View through Artsy
In her artistic practice, Annelie Bruijn engages in subtle, layered dialogues—between intention and spontaneity, the human body and nature, personal intuition and photographic chance. She embraces imperfections, finding beauty not only in her subjects but in the film’s materiality—irregularities, accidental flares, and light leaks gently disrupting the frame. These are not flaws, but openings where control slips and the image can breathe on its own
Title: Gentle Imprints: A Photographic Dialogue on Body, Time and Nature
Description:
In her artistic practice, Annelie Bruijn engages in subtle, layered dialogues—between intention and spontaneity, the human body and nature, personal intuition and photographic chance.
She embraces imperfections, finding beauty not only in her subjects but in the film’s materiality—irregularities, accidental flares, and light leaks gently disrupting the frame.
These are not flaws, but openings where control slips and the image can breathe on its own.
Related Results
'Brothers in Arms 1987' black and white photographic print of two boys facing each other, each astride his bicycle and holding a toy gun; taken by John Heywood in the UK, 1987. Photographic paper on card.
'Brothers in Arms 1987' black and white photographic print of two boys facing each other, each astride his bicycle and holding a toy gun; taken by John Heywood in the UK, 1987. Photographic paper on card.
'Brothers in Arms 1987' black and white photographic print of two boys facing each other, each astride his bicycle and holding a toy gun; taken by John Heywood in the UK, 1987. Ph...
Drafts (Courants d'air)
Drafts (Courants d'air)
Lithograph, The Taker of Imprints (Le Preneur d'empreintes) portfolio 4 from the Phenomena (Les Phénomènes) series...
Standing Buddha Shakyamuni in Varada-mudra
Standing Buddha Shakyamuni in Varada-mudra
This sculpture depicts a Buddha gracefully standing on a shallow lotus pedestal, the Buddha likely the Buddha Sakyamuni (the Historical Buddha) though possibly the Buddha Dipankara...
Photographic postcard, black and white, of a girl sitting on the sand next to a black dog, taken on the south coast of England, by Remington's Photo Service (A.H. Remington), England, 1920-39. Black and white photographic postcard (landscape) of a girl si
Photographic postcard, black and white, of a girl sitting on the sand next to a black dog, taken on the south coast of England, by Remington's Photo Service (A.H. Remington), England, 1920-39. Black and white photographic postcard (landscape) of a girl si
Photographic postcard, black and white, of a girl sitting on the sand next to a black dog, taken on the south coast of England, by Remington's Photo Service (A.H. Remington), Engla...
Serie fotografica Anzola d'Ossola, 1951-1950
Serie fotografica Anzola d'Ossola, 1951-1950
Photographic series: Anzola d'Ossola, 1951/Paolo Monti. - Prints: 5: Positive b/n, gelatin silver bromide/paper, 30x40. - (On the back of prints didactic inscriptions and documents...
Serie fotografica Venezia, 1951-1949
Serie fotografica Venezia, 1951-1949
Photographic series: Venice, 1951/Paolo Monti. - Prints: 5: Positive b/n, gelatin silver bromide/paper, 30x40. - (On the back of didactic inscriptions written in pencil: “Venetian ...


