Javascript must be enabled to continue!
Images of Mithra
View through CrossRef
Images of Mithra begins with the seemingly simple question: what’s in a name? With a history of use extending back to Vedic texts of the second millennium BC, derivations of the name Mithra appear in the Roman Empire, across Sasanian Persia, and in the Kushan Empire of southern Afghanistan and northern India during the first millennium AD. Even today, this name has a place in Yazidi and Zoroastrian religion. But what connection have Mihr in Persia, Miiro in Kushan Bactria, and Mithras in the Roman Empire to one another? Over the course of the volume, specialists in the material culture of these diverse regions explore appearances of the name Mithra from six distinct locations in antiquity. In a subversion of the usual historical process, the authors begin not from an assessment of texts, but by placing images of Mithra at the heart of their analysis. Careful consideration of each example’s own context, situating it in the broader scheme of religious traditions and ongoing cultural interactions, is key to this discussion. Such an approach opens up a host of potential comparisons and interpretations that are often sidelined in historical accounts. What Images of Mithra offers is a fresh approach to figures that we identify as ‘gods’, and the ways in which they were labelled and depicted in the ancient world. Through an emphasis on material culture, a more nuanced understanding of the processes of religious formation is proposed in what is but the first part of the Visual Conversations series.
Oxford University Press
Title: Images of Mithra
Description:
Images of Mithra begins with the seemingly simple question: what’s in a name? With a history of use extending back to Vedic texts of the second millennium BC, derivations of the name Mithra appear in the Roman Empire, across Sasanian Persia, and in the Kushan Empire of southern Afghanistan and northern India during the first millennium AD.
Even today, this name has a place in Yazidi and Zoroastrian religion.
But what connection have Mihr in Persia, Miiro in Kushan Bactria, and Mithras in the Roman Empire to one another? Over the course of the volume, specialists in the material culture of these diverse regions explore appearances of the name Mithra from six distinct locations in antiquity.
In a subversion of the usual historical process, the authors begin not from an assessment of texts, but by placing images of Mithra at the heart of their analysis.
Careful consideration of each example’s own context, situating it in the broader scheme of religious traditions and ongoing cultural interactions, is key to this discussion.
Such an approach opens up a host of potential comparisons and interpretations that are often sidelined in historical accounts.
What Images of Mithra offers is a fresh approach to figures that we identify as ‘gods’, and the ways in which they were labelled and depicted in the ancient world.
Through an emphasis on material culture, a more nuanced understanding of the processes of religious formation is proposed in what is but the first part of the Visual Conversations series.
Related Results
Fake Photos
Fake Photos
A concise and accessible guide to techniques for detecting doctored and fake images in photographs and digital media.
Stalin, Mao, Hitler, Mussolini, and other dicta...
Arrested Images and “the Between-Images”
Arrested Images and “the Between-Images”
Raymond Bellour explains his concept of “the between-images,” and comments on the status of the arrested image in relation to the time-image, suggesting how video was an instrument...
Pain Medicine Board Review
Pain Medicine Board Review
Pain Medicine is a comprehensive guide for preparing for the American Board of Medical Specialties (ABMS) certification or recertification in pain medicine and also for residents p...
The Digital Challenge: From the Theater to the Gallery
The Digital Challenge: From the Theater to the Gallery
This chapter demonstrates how Bellour’s work on video art (or what was later termed moving-image installation art), while a product of his own preoccupations, is situated firmly wi...
The Three Images of Ethnic War
The Three Images of Ethnic War
Why do ethnic groups adopt violent means? In the 1990's, ethnicity emerged as the principle source of organized violence around the world. Ethnic wars were no longer internal confl...
Ancient Near Eastern Iconography and the Bible
Ancient Near Eastern Iconography and the Bible
Examines the dilemma of whether ancient Near Eastern images – while providing unique aspects of the world-views of the cultures from which the Bible arose – can be interpreted in a...
Drawing the Greek Vase
Drawing the Greek Vase
Abstract
How have two-dimensional images of ancient Greek vases shaped modern perceptions of these artefacts and of the classical past? This is the first scholarly v...


