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Das Grabmal der Cecilia Metella an der Via Appia Antica in Rom
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Bibliotheca Hertziana, Max Planck Institute for Art History Rome. Photographic Collection
Title: Das Grabmal der Cecilia Metella an der Via Appia Antica in Rom
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Latin Funerary Inscription of Q. Caecilius Hilarus and Caecilia Eleutheris
Latin Funerary Inscription of Q. Caecilius Hilarus and Caecilia Eleutheris
Marble Latin Funerary Inscription of Caecilius Hilarius, physician to Caecilia Metella. Excellent condition. Thin crack from right-of-center bottom to middle of fourth row of inscr...
Part of a set. Actor pattern (yakusha monyō 役者文様)/pattern with objects (kibutsu monyō 器物文様)/stripe pattern (shima monyō 縞文様): shikanjima 芝翫縞
Part of a set. Actor pattern (yakusha monyō 役者文様)/pattern with objects (kibutsu monyō 器物文様)/stripe pattern (shima monyō 縞文様): shikanjima 芝翫縞
Underground dyed Passover marks (hoshi P). Template damaged. Shikanjima ShiShi, also shikan tsunagi ShiShior shikan moyō Shi様: pattern of alternating “four (SHI Shi)” vertical line...
According to https://www.myheritage.com/names/maria_tomlinson (consulted 12/3/2016)
Maria Cecilia Lance (born Tomlinson) was born in 1843, to Rev. William Robert Tomlinson and Cecilia Tomlinson (born Baker).
Rev was born on January 7 1811, in Westham, Sur
According to https://www.myheritage.com/names/maria_tomlinson (consulted 12/3/2016)
Maria Cecilia Lance (born Tomlinson) was born in 1843, to Rev. William Robert Tomlinson and Cecilia Tomlinson (born Baker).
Rev was born on January 7 1811, in Westham, Sur
According to https://www.myheritage.com/names/maria_tomlinson (consulted 12/3/2016)
Maria Cecilia Lance (born Tomlinson) was born in 1843, to Rev. William Robert Tomlinson and Ceci...
Saint Cecilia between Saint Valerian and Saint Tiburtius with a Donor
Saint Cecilia between Saint Valerian and Saint Tiburtius with a Donor
The present panel was in the Dreyfus collection Paris and entered the Thyssen-Bornemisza collection in 1931. It is first mentioned in the literature in 1937 where it is attributed ...
Rear view of the Figure C on the following plate, bearing the inscription in which Marcus Arelius and Lucius Verus state that the monument commemorates the apotheosis of their father, Antonius Pius...[showing the adjacent side], plate 32 from "Il Campo Ma
Rear view of the Figure C on the following plate, bearing the inscription in which Marcus Arelius and Lucius Verus state that the monument commemorates the apotheosis of their father, Antonius Pius...[showing the adjacent side], plate 32 from "Il Campo Ma
Etching, Il Campo Marzio dell' Antica Roma Opera di G.B. Piranesi socio della reale società degli antiquari di Londra...
Map of the neighborhood containing the remains of the Theater of Pompey...[site map and relevant fragments of the Severan Marble Plan], plate 16 from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di L
Map of the neighborhood containing the remains of the Theater of Pompey...[site map and relevant fragments of the Severan Marble Plan], plate 16 from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di L
Etching, Il Campo Marzio dell' Antica Roma Opera di G.B. Piranesi socio della reale società degli antiquari di Londra...
Page I (Latin text) Vignette (head-piece); Tomb of Maria Honorius, wife of the Emperor..., from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di Londra" (The Campus Martius of Ancient Rome, the Work o
Page I (Latin text) Vignette (head-piece); Tomb of Maria Honorius, wife of the Emperor..., from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di Londra" (The Campus Martius of Ancient Rome, the Work o
Etching, Il Campo Marzio dell' Antica Roma Opera di G.B. Piranesi socio della reale società degli antiquari di Londra...
The remaining part of the porticoes and vaults which supported the banks of seating in the so-called Circus Agonalis or Circus of Alexander Severus [today incorporated into the Piazza Navona], plate 37 from "Il Campo Marzio dell' Antica Roma, Opera di G.B
The remaining part of the porticoes and vaults which supported the banks of seating in the so-called Circus Agonalis or Circus of Alexander Severus [today incorporated into the Piazza Navona], plate 37 from "Il Campo Marzio dell' Antica Roma, Opera di G.B
Etching, Il Campo Marzio dell' Antica Roma Opera di G.B. Piranesi socio della reale società degli antiquari di Londra...