[Proyecto de la fuente de Orión, Messina] [Material gráfico]

Oinochoe of vitreous paste of the tomb 272, located in the burial mound C, of the iberian cemetery of La Noria (Fuente de Piedra, Málaga, Spain). The cemetery has a surface of 4 ha...

Antonello da Messina, who according to Vasari learned the technique of oil painting directly from Van Eyck during a trip to Flanders, was the most important artist of the Sicilian ...

In the rectum, registration ms. on the lower edge of brown ink: “Beautiful drawing of Fr. Angelo disciple of Migl. Angel does with honor of D. Juan de Austria”; in ochry ink: “This...

Annotation ms. a brown pen and ink, with letter of G. V. Casale, at the bottom: “Palmi 78 il tutto/Per la chiesa di Sto. Pietro di Messina”...

Within the Museum’s collection this panel offers one of the most eloquent examples of the figurative and technical transformations that took place in southern European art in the f...

Andrea Solario was the brother of the sculptor Cristoforo Solario, known by the nickname Il Gobbo (the Hunchback), accompanying him to Venice around 1490 and returning from there t...

This portrait on panel was published in 1915 in a text by Adolfo Venturi in his famous Storia dell’arte Italiana. Other authors including Berenson subsequently included it in their...