Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Henry Mancini

View through CrossRef
Through film composer Henry Mancini, mere background music in movies became part of pop culture—an expression of sophistication and wit with a modern sense of cool and a lasting lyricism that has not dated. This, the first comprehensive study of Mancini's music, describes how the composer served as a bridge between the Big Band period of World War II and the impatient eclecticism of the Baby Boomer generation, between the grand formal orchestral film scores of the past and a modern American minimalist approach. Mancini's sound seemed to capture the bright, confident, welcoming voice of the middle class's new efficient life: interested in pop songs and jazz, in movie and television, in outreach politics but also conventional stay-at-home comforts. As the book shows, Mancini easily combined it all in his music. He wielded influence in Hollywood and around the world with his iconic scores: dynamic jazz for the noirish detective TV show Peter Gunn, the sly theme from The Pink Panther, and his wistful folk song Moon River from Breakfast at Tiffany's. Through insightful close readings of key films, the book traces Mancini's collaborations with important directors and shows how he homed in on specific dramatic or comic aspects of the film to create musical effects through clever instrumentation, eloquent musical gestures, and meaningful resonances and continuities in his scores.
University of Illinois Press
Title: Henry Mancini
Description:
Through film composer Henry Mancini, mere background music in movies became part of pop culture—an expression of sophistication and wit with a modern sense of cool and a lasting lyricism that has not dated.
This, the first comprehensive study of Mancini's music, describes how the composer served as a bridge between the Big Band period of World War II and the impatient eclecticism of the Baby Boomer generation, between the grand formal orchestral film scores of the past and a modern American minimalist approach.
Mancini's sound seemed to capture the bright, confident, welcoming voice of the middle class's new efficient life: interested in pop songs and jazz, in movie and television, in outreach politics but also conventional stay-at-home comforts.
As the book shows, Mancini easily combined it all in his music.
He wielded influence in Hollywood and around the world with his iconic scores: dynamic jazz for the noirish detective TV show Peter Gunn, the sly theme from The Pink Panther, and his wistful folk song Moon River from Breakfast at Tiffany's.
Through insightful close readings of key films, the book traces Mancini's collaborations with important directors and shows how he homed in on specific dramatic or comic aspects of the film to create musical effects through clever instrumentation, eloquent musical gestures, and meaningful resonances and continuities in his scores.

Related Results

Henry Lives! Learning from Lawson Fandom
Henry Lives! Learning from Lawson Fandom
Since his death in 1922, Henry Lawson’s “spirit” has been kept alive by admirers across Australia. Over the last century, Lawson’s reputation in the academy has fluctuated yet fan ...
Giulio Mancini e la nascita della connoisseurship
Giulio Mancini e la nascita della connoisseurship
Abstract The role of Giulio Mancini as the father of connoisseurship has been recently questioned on the grounds that Mancini never aimed to discuss the attributions...
Henry Mayhew and the Mayhew Brothers
Henry Mayhew and the Mayhew Brothers
Henry Mayhew and his brothers were writers in the early and mid-Victorian periods. The most famous of the siblings was Henry Mayhew. Henry and his brothers were born in an upper-mi...
Henry II and the Angevin Tradition of Family Hostility
Henry II and the Angevin Tradition of Family Hostility
Those non-medievalists who had the opportunity to see the film The Lion in Winter may well have concluded that the intensity and extent of hostility among the members of King Henry...
A Construção da Cooperação Jurisdicional nos Pressupostos Teóricos da Obra de Pasquale Stanislao Mancini (1851-1872)
A Construção da Cooperação Jurisdicional nos Pressupostos Teóricos da Obra de Pasquale Stanislao Mancini (1851-1872)
O presente artigo traça uma evolu-ção histórica do Direito Internacional Privado (DIPr), sobretudo do ideal de cooperação jurisdicional, entre o Medievo e a Modernidade. Analisa-se...
Can One Speak of Painting if One Cannot Hold a Brush?: Giulio Mancini, Medicine, and the Birth of the Connoisseur
Can One Speak of Painting if One Cannot Hold a Brush?: Giulio Mancini, Medicine, and the Birth of the Connoisseur
Giulio Mancini (1559–1630) opens his “Considerazioni sulla pittura” (ca. 1619–21) with some programmatic statements about the right of a non-painter to judge a painting. In this es...
Angevin Dynasty
Angevin Dynasty
The Angevin dynasty in England followed the Anglo-Norman kings, who had ruled since the Norman Conquest in 1066. Henry II, the first Angevin king (r. 1154–1189), was the son of Mat...
Thomas Arundel and the Baronial Party Under Henry IV
Thomas Arundel and the Baronial Party Under Henry IV
In July 1399, the exiled Henry of Lancaster returned to England with the exiled archbishop of Canterbury, Thomas Arundel, and a few followers and successfully wrested the English t...

Back to Top