Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Golden Age of Spanish Animation (1939–1951)

View through CrossRef
During the 1940s, the Spanish animation industry based in Barcelona reached a high technical level. Despite the Franco dictatorship and austerity following the Spanish Civil War, the Catalan animation industry produced feature-length films that bore comparison with those made elsewhere in Europe. This article looks at the reasons for and the nature of Barcelona’s Golden Age of Animation, and follows the steps on the industry’s path to technical mastery. The author revisits the history of the Spanish Golden Age of Animation (which lasted from 1939 to 1951) in the context of the international animation scene at the time.
SAGE Publications
Title: The Golden Age of Spanish Animation (1939–1951)
Description:
During the 1940s, the Spanish animation industry based in Barcelona reached a high technical level.
Despite the Franco dictatorship and austerity following the Spanish Civil War, the Catalan animation industry produced feature-length films that bore comparison with those made elsewhere in Europe.
This article looks at the reasons for and the nature of Barcelona’s Golden Age of Animation, and follows the steps on the industry’s path to technical mastery.
The author revisits the history of the Spanish Golden Age of Animation (which lasted from 1939 to 1951) in the context of the international animation scene at the time.

Related Results

The Politics of Animation and the Animation of Politics
The Politics of Animation and the Animation of Politics
This article demonstrates how political inquiry can guide the study of animation. It proceeds by investigating animation’s minor status within film and media studies and then the e...
Learning from the Golden Age of Czechoslovak Animation: The Past as the Key to Unlocking Contemporary Issues
Learning from the Golden Age of Czechoslovak Animation: The Past as the Key to Unlocking Contemporary Issues
Can Czech animators resurrect the Golden Age of Czech animation or will they succumb to the changes of an open market economy? The post-1989 privatization of animation studios and ...
Reading Animation through the Eyes of Anthropology: A Case Study of sub-Saharan African Animation
Reading Animation through the Eyes of Anthropology: A Case Study of sub-Saharan African Animation
This article aims to present an argument for why anthropology could provide animation studies with a new set of critical models that move away from the dominant paradigms that curr...
Scotland’s History of Animation: An Exploratory Account of the Key Figures and Influential Events
Scotland’s History of Animation: An Exploratory Account of the Key Figures and Influential Events
Scotland’s history of animation is a forgotten past accomplishment in the animation/VFX sector, with key influential animation professionals having had an impact both at home and a...
Discovering Animation Manuals: Their Place and Role in the History of Animation
Discovering Animation Manuals: Their Place and Role in the History of Animation
This article explores the history of animation manuals in the United States from the 1940s to the present. It argues that this history can be divided into three major periods that ...
Cognitive Animation Theory: A Process-Based Reading of Animation and Human Cognition
Cognitive Animation Theory: A Process-Based Reading of Animation and Human Cognition
This article considers both animation and human cognition in terms of process philosophy, and articulates some common ground between the processes of animation and the processes of...
Lev Kuleshov on Animation: Montaging the Image
Lev Kuleshov on Animation: Montaging the Image
The Soviet film director Lev Kuleshov has not been historically associated with animation, and yet his legacy includes: an article on animation published in the Soviet central spec...
Concrete Animation
Concrete Animation
This article was originally delivered as an illustrated lecture at the 2007 `Pervasive Animation' symposium at Tate Modern, London, 2—4 March 2007. My goal was to describe a catego...

Back to Top