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EUROPEAN AVANT-GARDE, 1900-1940
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Avant-Gardists and the Lure of Pop Music
Avant-Gardists and the Lure of Pop Music
This chapter provides methods and models for thinking about avant-garde and experimental films and videos that incorporate popular music. It sketches the history of intersections b...
Flann O’Brien and the European Avant-Garde, 1934–45
Flann O’Brien and the European Avant-Garde, 1934–45
Crossing the boundaries of a single-author study, this book uncovers Flann O'Brien's attempt to forge a commercially successful Irish literary project from international avant-gard...
Invisible Terrain
Invisible Terrain
In his debut collection, Some Trees (1956), John Ashbery poses a question that resonates across his oeuvre and much modern art: “How could he explain to them his prayer / that natu...
Other Planets
Other Planets
German composer Karlheinz Stockhausen was arguably the most influential figure of the European postwar avant-garde and unquestionably the most elusive and enigmatic musical thinker...
Another Future
Another Future
Poetry and Art in a Postmodern Twilight, Alan Gilbert, Arts and society, 2005, Wesleyan University Press...
Three Apostles of Russian Music
Three Apostles of Russian Music
The Three Apostles of Russian Music looks at three figures in the Soviet avant-garde who led modernist music in the 1920s. Mosolov, Popov, and Roslavets were popular composers who ...
Elsie Houston
Elsie Houston
Abstract
The early twentieth century ushered in an exciting wave of avant-garde artistic innovation. While Igor Stravinsky was thinking about new ways of interpretin...