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New Italian Migrations to the United States

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This second volume of New Italian Migrations to the United States continues the critical conversation with its predecessor by exploring Italian immigration to the United States from 1945 to the present, focusing on cultural expressivity, artistic productions, community engagement, and media representations. The book challenges our understanding of art and culture created by and about Italian Americans in the late twentieth and twenty-first centuries by considering ongoing Italian migratory flows. Each new group of Italian migrants and their descendants creates fresh models of Italian American culture, impacts preexisting ones, and continually reboot Italian America. The essays herein focus on such topics as transnational intimacy aided by an Italian-language radio program that broadcast messages from family members in Italy, the exoticized actors like Sophia Loren and Pier Angeli who helped shape a glamorous Italian style out of images of desperate postwar poverty, the constellation of cement figures crafted by a self-taught artist outside of Detroit, a folk-revival performer who infuses tarantella with New Age and feminist tonalities, the role of immigrant cookbook writers like Marcella Hazan and Lidia Bastianich in crafting a fashionable Italian food culture, and a review of current literature on the Italian “brain drain” and its impact on university Italian Studies. The afterword discusses the nomenclature ascribed to Italian American creative writers living in Italy and the United States.
University of Illinois Press
Title: New Italian Migrations to the United States
Description:
This second volume of New Italian Migrations to the United States continues the critical conversation with its predecessor by exploring Italian immigration to the United States from 1945 to the present, focusing on cultural expressivity, artistic productions, community engagement, and media representations.
The book challenges our understanding of art and culture created by and about Italian Americans in the late twentieth and twenty-first centuries by considering ongoing Italian migratory flows.
Each new group of Italian migrants and their descendants creates fresh models of Italian American culture, impacts preexisting ones, and continually reboot Italian America.
The essays herein focus on such topics as transnational intimacy aided by an Italian-language radio program that broadcast messages from family members in Italy, the exoticized actors like Sophia Loren and Pier Angeli who helped shape a glamorous Italian style out of images of desperate postwar poverty, the constellation of cement figures crafted by a self-taught artist outside of Detroit, a folk-revival performer who infuses tarantella with New Age and feminist tonalities, the role of immigrant cookbook writers like Marcella Hazan and Lidia Bastianich in crafting a fashionable Italian food culture, and a review of current literature on the Italian “brain drain” and its impact on university Italian Studies.
The afterword discusses the nomenclature ascribed to Italian American creative writers living in Italy and the United States.

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