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Le Général Cambronne Cambronne Pierre Jacques-Etienne
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Central Museum of the Risorgimento in Rome
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Livre Nouveau ou Regles des cinq ordres d'Architecture, par Jacques Barozzio de Vignole. Nouvellement revû, corrigé et augmenté par Monsieur B.*** Architecte du Roy. Avec plusieurs morceaux de Michel-Ange, Vitruve, Mansard, et autres Célebres Architectes
Livre Nouveau ou Regles des cinq ordres d'Architecture, par Jacques Barozzio de Vignole. Nouvellement revû, corrigé et augmenté par Monsieur B.*** Architecte du Roy. Avec plusieurs morceaux de Michel-Ange, Vitruve, Mansard, et autres Célebres Architectes
Printed book with etched and engraved illustrations...
A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, o
A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, o
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...
Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Au
Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Au
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...

