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Border Traffic
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This chapter focuses on Detroit’s Jewish community, first taking up its complex, many-layered internal musical life, from religious to politically radical, across a range of initiatives and institutions. Next comes an analysis of how the group used music as a mode of outreach to mainstream Detroit, impacting the city’s cultural life, especially through intense engagement with classical music. The role of the Jews in the survival of the Detroit Symphony Orchestra is outlined. Profiles of key activists’ careers—Julius Chajes, Mischa Mischakoff, Mischa Kottler, Emma Schaver--and the development of institutional life illustrate these practices of “border traffic.”
Title: Border Traffic
Description:
This chapter focuses on Detroit’s Jewish community, first taking up its complex, many-layered internal musical life, from religious to politically radical, across a range of initiatives and institutions.
Next comes an analysis of how the group used music as a mode of outreach to mainstream Detroit, impacting the city’s cultural life, especially through intense engagement with classical music.
The role of the Jews in the survival of the Detroit Symphony Orchestra is outlined.
Profiles of key activists’ careers—Julius Chajes, Mischa Mischakoff, Mischa Kottler, Emma Schaver--and the development of institutional life illustrate these practices of “border traffic.
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