Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

WILLI DROST: THE LAST DIRECTOR OF THE STADTMUSEUM (CITY MUSEUM) IN GDAŃSK

View through CrossRef
As much as the history of the Free City of Danzig (1920–1939) has been dedicated numerous academic studies, the activity of its institutions and people, particularly Gdańsk residents of German nationality who played a significant role in the city’s political, cultural, scientific, educational, and spiritual life until 1945 has been hardly investigated. One of such individuals is Willi Drost born in Gdańsk in 1892. Following his studies and academic work in Leipzig, Marburg, Cologne, and Konigsberg, in 1930 he returned to Gdańsk, where he was offered the position of a custodian and later conservator of monuments of the Free City of Gdańsk; furthermore, as of 1938 he was appointed Director of the City Museum, which he remained uninterruptedly until 1945. Beginning from 1930, he was also professor of art history at the Technischer Hochschule, engineering university, as well as curator of Museum Collections for the whole region of Gdańsk – Western Prussia. His scholarly activity yielded numerous publications in art theory, North European modern painting, and Gdańsk art. Furthermore, Drost takes credit for the inventory of Gdańsk historic churches conducted from 1934 onwards. Resorting to the preserved materials, in 1957–1964, Drost published a 5-volume series titled Art Monuments of the City of Gdańsk (Kunstdenkmäler der Stadt Danzig). During WW II, together with Prof. Erich Volmar, he supervised the action of protecting and evacuating art works from the City Museum, Town Hall’s Red Room, Artus Manor, Uphagen’s House, as well as from churches and other historic facilities. Directly following the end of WW II, Drost stayed on in Gdańsk, helping Polish art historians to recover art works hidden in the city and its vicinity. Having left for Germany in the spring of 1946, he was professor at Hamburg and Tubingen universities. Until his last days he continued to promote the cultural heritage of Gdańsk. In recognition of his merits, Drost was honoured with numerous awards in Germany, while in 1992, on the 100th anniversary of his Birthday, a plaque commemorating him was unveiled in front of the building of the former City Museum (Stadtmuseum), today housing the National Museum in Gdańsk. The paper’s goal is to popularize Drost’s endeavours as a museologist, and to recall all he did for Gdańsk.
Narodowy Instytut Muzeów
Title: WILLI DROST: THE LAST DIRECTOR OF THE STADTMUSEUM (CITY MUSEUM) IN GDAŃSK
Description:
As much as the history of the Free City of Danzig (1920–1939) has been dedicated numerous academic studies, the activity of its institutions and people, particularly Gdańsk residents of German nationality who played a significant role in the city’s political, cultural, scientific, educational, and spiritual life until 1945 has been hardly investigated.
One of such individuals is Willi Drost born in Gdańsk in 1892.
Following his studies and academic work in Leipzig, Marburg, Cologne, and Konigsberg, in 1930 he returned to Gdańsk, where he was offered the position of a custodian and later conservator of monuments of the Free City of Gdańsk; furthermore, as of 1938 he was appointed Director of the City Museum, which he remained uninterruptedly until 1945.
Beginning from 1930, he was also professor of art history at the Technischer Hochschule, engineering university, as well as curator of Museum Collections for the whole region of Gdańsk – Western Prussia.
His scholarly activity yielded numerous publications in art theory, North European modern painting, and Gdańsk art.
Furthermore, Drost takes credit for the inventory of Gdańsk historic churches conducted from 1934 onwards.
Resorting to the preserved materials, in 1957–1964, Drost published a 5-volume series titled Art Monuments of the City of Gdańsk (Kunstdenkmäler der Stadt Danzig).
During WW II, together with Prof.
Erich Volmar, he supervised the action of protecting and evacuating art works from the City Museum, Town Hall’s Red Room, Artus Manor, Uphagen’s House, as well as from churches and other historic facilities.
Directly following the end of WW II, Drost stayed on in Gdańsk, helping Polish art historians to recover art works hidden in the city and its vicinity.
Having left for Germany in the spring of 1946, he was professor at Hamburg and Tubingen universities.
Until his last days he continued to promote the cultural heritage of Gdańsk.
In recognition of his merits, Drost was honoured with numerous awards in Germany, while in 1992, on the 100th anniversary of his Birthday, a plaque commemorating him was unveiled in front of the building of the former City Museum (Stadtmuseum), today housing the National Museum in Gdańsk.
The paper’s goal is to popularize Drost’s endeavours as a museologist, and to recall all he did for Gdańsk.

Related Results

Gdańsk
Gdańsk
Abstract Gdańsk: Portrait of a City tells the story of the city of Gdańsk, from the prehistoric origins of its Baltic surroundings on the Vistula and Motława rivers ...
Przyczynki do dziejów szpitali gdańskich w średniowieczu
Przyczynki do dziejów szpitali gdańskich w średniowieczu
Inputs to the history of hospitals in medieval Gdańsk The network of hospital in the three‑strand urban settlement unit of Gdańsk (Main Town, Old Town and Young Town) was shaped i...
ACKNOWLEDGMENTS
ACKNOWLEDGMENTS
The UP Manila Health Policy Development Hub recognizes the invaluable contribution of the participants in theseries of roundtable discussions listed below: RTD: Beyond Hospit...
Values Education in J. Drost's Perspective
Values Education in J. Drost's Perspective
This research aims to delve into the thoughts of J. Drost, which emphasizes values as the primary foundation in the school education system. Colossus Gonzaga School is highlighted ...
Świat zwierząt Daniela Schultza
Świat zwierząt Daniela Schultza
Daniel Schultz (1615–1683) was one of the most important painters of his time, highly regarded among the Polish nobility and patricians of his native city of Gdańsk. Schultz’s game...
Exile and Return?
Exile and Return?
After the Teutonic Knights successfully broke through Gdańsk’s defenses on 12/13 November 1308, they set about massacring not only those knights who supported the rule of the margr...
Szpitale gdańskie XVI–XVIII w. a duchowość protestancka
Szpitale gdańskie XVI–XVIII w. a duchowość protestancka
Gdańsk hospitals of the 16th to 18th century and the protestant spirituality Hospitals of the Middle Ages and the Modern era adopted the rule of helping people in need as their ba...
Kanał Raduni – źródło wody dla mieszkańców Gdańska
Kanał Raduni – źródło wody dla mieszkańców Gdańska
The Radunia Canal – a source of water for Gdańsk dwellers Gdańsk development relied heavily on possibilities to ensure potable water supplies to its dwellers and flowing water by ...

Back to Top