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WILLI DROST: THE LAST DIRECTOR OF THE STADTMUSEUM (CITY MUSEUM) IN GDAŃSK
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As much as the history of the Free City of Danzig
(1920–1939) has been dedicated numerous academic studies,
the activity of its institutions and people, particularly Gdańsk
residents of German nationality who played a significant role
in the city’s political, cultural, scientific, educational, and
spiritual life until 1945 has been hardly investigated. One of
such individuals is Willi Drost born in Gdańsk in 1892. Following
his studies and academic work in Leipzig, Marburg, Cologne,
and Konigsberg, in 1930 he returned to Gdańsk, where he
was offered the position of a custodian and later conservator
of monuments of the Free City of Gdańsk; furthermore, as of
1938 he was appointed Director of the City Museum, which
he remained uninterruptedly until 1945. Beginning from
1930, he was also professor of art history at the Technischer
Hochschule, engineering university, as well as curator of
Museum Collections for the whole region of Gdańsk – Western
Prussia. His scholarly activity yielded numerous publications in
art theory, North European modern painting, and Gdańsk art.
Furthermore, Drost takes credit for the inventory of Gdańsk
historic churches conducted from 1934 onwards. Resorting
to the preserved materials, in 1957–1964, Drost published
a 5-volume series titled Art Monuments of the City of Gdańsk
(Kunstdenkmäler der Stadt Danzig).
During WW II, together with Prof. Erich Volmar, he
supervised the action of protecting and evacuating art
works from the City Museum, Town Hall’s Red Room, Artus
Manor, Uphagen’s House, as well as from churches and other
historic facilities. Directly following the end of WW II, Drost
stayed on in Gdańsk, helping Polish art historians to recover
art works hidden in the city and its vicinity. Having left for
Germany in the spring of 1946, he was professor at Hamburg
and Tubingen universities. Until his last days he continued
to promote the cultural heritage of Gdańsk. In recognition
of his merits, Drost was honoured with numerous awards
in Germany, while in 1992, on the 100th anniversary of his
Birthday, a plaque commemorating him was unveiled in front
of the building of the former City Museum (Stadtmuseum),
today housing the National Museum in Gdańsk. The paper’s
goal is to popularize Drost’s endeavours as a museologist, and
to recall all he did for Gdańsk.
Title: WILLI DROST: THE LAST DIRECTOR OF THE
STADTMUSEUM (CITY MUSEUM) IN GDAŃSK
Description:
As much as the history of the Free City of Danzig
(1920–1939) has been dedicated numerous academic studies,
the activity of its institutions and people, particularly Gdańsk
residents of German nationality who played a significant role
in the city’s political, cultural, scientific, educational, and
spiritual life until 1945 has been hardly investigated.
One of
such individuals is Willi Drost born in Gdańsk in 1892.
Following
his studies and academic work in Leipzig, Marburg, Cologne,
and Konigsberg, in 1930 he returned to Gdańsk, where he
was offered the position of a custodian and later conservator
of monuments of the Free City of Gdańsk; furthermore, as of
1938 he was appointed Director of the City Museum, which
he remained uninterruptedly until 1945.
Beginning from
1930, he was also professor of art history at the Technischer
Hochschule, engineering university, as well as curator of
Museum Collections for the whole region of Gdańsk – Western
Prussia.
His scholarly activity yielded numerous publications in
art theory, North European modern painting, and Gdańsk art.
Furthermore, Drost takes credit for the inventory of Gdańsk
historic churches conducted from 1934 onwards.
Resorting
to the preserved materials, in 1957–1964, Drost published
a 5-volume series titled Art Monuments of the City of Gdańsk
(Kunstdenkmäler der Stadt Danzig).
During WW II, together with Prof.
Erich Volmar, he
supervised the action of protecting and evacuating art
works from the City Museum, Town Hall’s Red Room, Artus
Manor, Uphagen’s House, as well as from churches and other
historic facilities.
Directly following the end of WW II, Drost
stayed on in Gdańsk, helping Polish art historians to recover
art works hidden in the city and its vicinity.
Having left for
Germany in the spring of 1946, he was professor at Hamburg
and Tubingen universities.
Until his last days he continued
to promote the cultural heritage of Gdańsk.
In recognition
of his merits, Drost was honoured with numerous awards
in Germany, while in 1992, on the 100th anniversary of his
Birthday, a plaque commemorating him was unveiled in front
of the building of the former City Museum (Stadtmuseum),
today housing the National Museum in Gdańsk.
The paper’s
goal is to popularize Drost’s endeavours as a museologist, and
to recall all he did for Gdańsk.
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