Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Introduction: The role of fiction in screenwriting (as) research

View through CrossRef
Here the authors discuss the role of fiction in screenwriting practice research. The screenplays included in the ‘Screenplays as Research Artefacts’ special issue of TEXT present a range of stories, worlds, characters, visual scenarios and dialogue exchanges that function as vessels for theories and ideas. These eleven screenplays all use creative practice approaches to research across a wide variety of discourses. All of the works embrace fiction as an important method to convey their respective critical concerns, which, the authors argue, evidences an emerging hallmark of screenwriting (as) research when compared with associated forms in the creative writing and screen production disciplines: fiction as a staple of its storytelling, creative practice and research methodology. The authors suggest that the use of fiction to perform research and present findings illuminates the ways that knowledge can be affective, not merely textual or verbal, something that is exemplified in the selected screenplays.
Australasian Association of Writing Programs
Title: Introduction: The role of fiction in screenwriting (as) research
Description:
Here the authors discuss the role of fiction in screenwriting practice research.
The screenplays included in the ‘Screenplays as Research Artefacts’ special issue of TEXT present a range of stories, worlds, characters, visual scenarios and dialogue exchanges that function as vessels for theories and ideas.
These eleven screenplays all use creative practice approaches to research across a wide variety of discourses.
All of the works embrace fiction as an important method to convey their respective critical concerns, which, the authors argue, evidences an emerging hallmark of screenwriting (as) research when compared with associated forms in the creative writing and screen production disciplines: fiction as a staple of its storytelling, creative practice and research methodology.
The authors suggest that the use of fiction to perform research and present findings illuminates the ways that knowledge can be affective, not merely textual or verbal, something that is exemplified in the selected screenplays.

Related Results

Cometary Physics Laboratory: spectrophotometric experiments
Cometary Physics Laboratory: spectrophotometric experiments
<p><strong><span dir="ltr" role="presentation">1. Introduction</span></strong&...
Speculative Fiction
Speculative Fiction
The term “speculative fiction” has three historically located meanings: a subgenre of science fiction that deals with human rather than technological problems, a genre distinct fro...
Recreating Prometheus
Recreating Prometheus
Prometheus, chained to a rock, having his liver pecked out by a great bird only for the organ to grow back again each night so that the torture may be repeated afresh the next day ...
Cute and Monstrous Furbys in Online Fan Production
Cute and Monstrous Furbys in Online Fan Production
Image 1: Hasbro/Tiger Electronics 1998 Furby. (Photo credit: Author) Introduction Since the mid-1990s robotic and digital creatures designed to offer social interaction and compa...
Screenwriting: Between Art and Craft
Screenwriting: Between Art and Craft
This paper discusses the teaching of screenwriting and storytelling in terms of art and craft. It argues that since Romanticism established itself in the 19th century as the domina...
The biopic screenplay as a research output: Towards a working definition of narrative fiction filmmaking methodology
The biopic screenplay as a research output: Towards a working definition of narrative fiction filmmaking methodology
Can the writing of a screenplay or the making of a narrative fiction film be considered a form of academic research? This will be a familiar question for those professional filmmak...

Back to Top