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Origins and Early Years
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Abstract
This chapter sketches what is known of Heywood’s early life and career, taking him from Coventry in the early 1500s to the royal household in the 1520s, setting out both what is known about these early years and what is not. It offers close readings of two short interludes which it is suggested were produced for performance within the humanist circle around John Rastell and Thomas More, possibly on Rastell’s newly built domestic stage at his house in Finsbury Fields. It identifies elements of these early plays that would become characteristic of Heywood’s later dramaturgy, with its subtle, innovative approach to audience engagement.
Title: Origins and Early Years
Description:
Abstract
This chapter sketches what is known of Heywood’s early life and career, taking him from Coventry in the early 1500s to the royal household in the 1520s, setting out both what is known about these early years and what is not.
It offers close readings of two short interludes which it is suggested were produced for performance within the humanist circle around John Rastell and Thomas More, possibly on Rastell’s newly built domestic stage at his house in Finsbury Fields.
It identifies elements of these early plays that would become characteristic of Heywood’s later dramaturgy, with its subtle, innovative approach to audience engagement.
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