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Sir Samuel Montago, Bart., M. Y. [Illustration] : (Porträt)
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Falling Knights: Sir Gawain in Pre and Post Malory Arthurian Tradition
Falling Knights: Sir Gawain in Pre and Post Malory Arthurian Tradition
The present study traces the development of Sir Gawain’s traits in the Arthurian legend through an analysis of Arthurian literature in early medieval works, in transition, and in m...
Samuel Beckett and Samuel Johnson
Samuel Beckett and Samuel Johnson
In “Samuel Beckett and Samuel Johnson: Like-Minded Masters of Life’s Limitations,” Thomas M. Curley reminds us that Johnson’s overall philosophy of life was traditionally and empha...
‘Je n’ai pas envie de chanter ce soir’: A Re-examination of Samuel Beckett’s Opera Collaboration Krapp, ou La Dernière bande
‘Je n’ai pas envie de chanter ce soir’: A Re-examination of Samuel Beckett’s Opera Collaboration Krapp, ou La Dernière bande
This article re-examines Krapp, ou La Dernière bande (1961), an opera adaptation of Samuel Beckett’s Krapp’s Last Tape (1958), which was a collaboration between the playwright and ...
William King, Sir William Petty, and Post-War Ireland (1690–92): Sir Robert Southwell and the Printing of Political Discourse
William King, Sir William Petty, and Post-War Ireland (1690–92): Sir Robert Southwell and the Printing of Political Discourse
Abstract
This article analyses the production of printed political discourse between post-war Ireland and England, in particular Sir Robert Southwell’s leading role ...
Thematic Structure and Symbolic Motif in the Middle English Breton Lays
Thematic Structure and Symbolic Motif in the Middle English Breton Lays
The Breton Lays in Middle English is an enigmatic label customarily used to designate eight or nine brief narratives: Sir Orfeo, Sir Degaré, Lay le Freine, “The Franklin's Tale,” S...