Pendant, medallion frame with two satyrs, roller cartridges and mask, a ring in the upper part, a hanging bead at the bottom (vom BeAnhänger vergebener Titel)

The imprint from the Edmond Foulc collection becomes the French School of the 16th century. (Paris, INHA, Collections Jacques Doucet, Fol Rés 120, vol. III, fol. 49). Comparison with the anonymous sequence of six pipes (Robert-Dumesnil IX, 322-327, under Etienne Delaune; Jules Lieure, La Gravure dans le Livre et l 'Ornement, Paris and Brussels 1927, Taf. LXII, 222-223 (under Delaune); Pollet 1995, t. 2, D.10-15 under Anonymous) and with two drawings for jewels in Oxford, Ashmolean Museum, W.518 and W.520 (Whiteley 1992, p. 175, Abb. 1, and p. 178, fig. 13, both with attribution to the Master of Historical Medallions). Jon Whitely has proposed a attribution to the Masters of Historical Medallions. For this group of masters of the historical medallions, various other, unconvincing descriptions such as Jacques Androuet du Cerceau and Etienne Delaune (see Whiteley 1992, pp. 22-23) are published in the past. See also the pendants with jewels AI 2480-1 to 11.