Hanged, a couple. Sen Qianlong, the Qing Dynasty.

HÄNGVAS, a couple. The vases are designed as sacks with laces around the necks. They are flat at the rear and have holes for suspension. The inside of the neck and the back are painted in turtle. The front has a background pattern with dense, dark pink loops on a brighter pink foundation, with a pair of five-membered dragons facing a medallion bearing the sign for “long life.” Behind and below the dragons there is a stylized lotus loop. Although not of absolute primary quality, the enamel painting has been carried out with care and precision. The style, the imperial stamp and the contents of the decorations suggest that the porcelain was made during the late Qianlong,. The very finest estate of this kind from the early QianlongDet is found in the imperial collections in Taipei and Beijing. They have underglazed blue marks, while these vases have an imperial mark in overglazed red enamel. Pair of porcelain wall vases Pin overglaze enamels. Land and period of Qianlong The vases are in the use of bags with cords round their necks. The backs of the vases are flat, with a hole for suspension when used in a room or backs in a sedan chair. The neck and back are enamelled turquoise. The front has a roll of mind, dark pink scon a pink ground, with a pair of demands drawn on pull a central medallion has for “long life.” Behind and beneath the dragons is a stylised lotus scroll, its central flower with upward-benestamen. “not of the very first quality, the enamelling is done with care and precision.” The style and content of conversation porcelain during the early Qianlong style, in the 1740s. The very finest wares of this type in the imperial traditions in Taipei and Beijing have underglaze blue marks, finvases have a mark in overglaze red enamel.