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The Comparative Analysis of Slovakian Folk Elements From Béla Bartók’s for Children in Paul Schoenfield’s Slovakian Children’s Songs
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Paul Schoenfield’s Slovakian Children’s Songs for flute and piano is a unique work in the flute repertoire, incorporating Slovakian folk quotes from Béla Bartók’s For Children (Volume II, Based on Slovakian Folk Tunes) with layers of Slovakian folk elements used in the overall texture. The primary objective of this dissertation is to expand the limited resources available to flutists regarding Slovakian Children’s Songs. Detailed comparative analysis will demonstrate both Paul Schoenfield’s use of Slovakian folk tunes in the piece and his compositional style. In addition, this dissertation will develop the performer’s understanding of the work through background information, comparative analysis, and interviews to encourage insightful and informed performance. The dissertation’s purpose will be achieved through examining 1) the life, historical, and musical background of Paul Schoenfield and Slovakian Children’s Songs, as well that of Béla Bartók and For Children, and 2) how Schoenfield quotes and arranges Bartók’s For Children by providing a comparative analysis. Interviews with both the composer and Carol Wincenc will be included in the dissertation along with performance suggestions received directly from Carol Wincenc in the appendix.
Title: The Comparative Analysis of Slovakian Folk Elements From Béla Bartók’s for Children in Paul Schoenfield’s Slovakian Children’s Songs
Description:
Paul Schoenfield’s Slovakian Children’s Songs for flute and piano is a unique work in the flute repertoire, incorporating Slovakian folk quotes from Béla Bartók’s For Children (Volume II, Based on Slovakian Folk Tunes) with layers of Slovakian folk elements used in the overall texture.
The primary objective of this dissertation is to expand the limited resources available to flutists regarding Slovakian Children’s Songs.
Detailed comparative analysis will demonstrate both Paul Schoenfield’s use of Slovakian folk tunes in the piece and his compositional style.
In addition, this dissertation will develop the performer’s understanding of the work through background information, comparative analysis, and interviews to encourage insightful and informed performance.
The dissertation’s purpose will be achieved through examining 1) the life, historical, and musical background of Paul Schoenfield and Slovakian Children’s Songs, as well that of Béla Bartók and For Children, and 2) how Schoenfield quotes and arranges Bartók’s For Children by providing a comparative analysis.
Interviews with both the composer and Carol Wincenc will be included in the dissertation along with performance suggestions received directly from Carol Wincenc in the appendix.
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