Research on the Pattern of "Mother Tutoring Her Child" in Falangcai Painted Enamels During Qianlong Period of Qing Dynasty

This study focuses on the basis of contemporary scholars' research on the artistic style of Chinese and Western combination of different patterns of falangcai painted enamels in the Qianlong period of Qing Dynasty and the study of mother and child images in the Qianlong period. This study is of great significance to the study of the pattern of falangcai painted enamels. This study mainly focuses on the design of ribbons, picture composition, character image and space expression in enamel porcelain pattern. In this study, literature analysis, iconography research methods and comparative analysis were used to summarize the main characteristics of porcelain patterns before the Qianlong period, analyze the figures in the patterns and their backgrounds, and compare the elements in traditional Chinese patterns and Western paintings. These methods are conducive to the study. Through the analysis of the patterns in the falangcai of the Qianlong period of Qing dynasty, it is found that the dynamic sash pattern, the composition of the body of the figure, the three-dimensional painting of the light and shade and the scientific spatial expression are all influenced by Western culture, so it is further concluded that the falangcai of the Qianlong period of Qing Dynasty is an important crystallization of Chinese and Western visual art.