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Imprimer la Lumière
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Modern biology is in the process of reinterpreting our body. Where the body was once considered an autonomous, controlled and essentially closed organism, we are now understood as participating in an ecology of commensal, symbiotic and pathogenic microorganisms. It is believed that we are inhabited by 10-100 trillion microbial cells (Ursell et al. 2012; Yang 2012). This radical rethinking of our body has existential consequences (Helmreich 2016). What is it to be human, how is the body functioning, and what does health and will mean in such an open interacting system? Imprimer la lumière asks: if architecture is based on a humanism—that is, an understanding of being human—how will such a new self-understanding create profound differences in how architecture is conceived, shaped, and materialized?
Sitting at the intersection of architecture and textile design practices and underpinned by a design probes approach, the project examines—from a practice-based perspective—the digital crafting of 3D-printed bioluminescent micro-architectures. While bioluminescence is commonly used as a marker in biology and medicine, in the fields of design and architectural it has mainly been investigated as an alternative to public and domestic lighting (Estevez 2007; Chassard 2015; van Dongen 2014, Thomsen 2017). Here we use bacterial luminescence as the means to explore the appropriation of living microorganisms as an architectural materiality, both from a critical and practical perspective.
In terms of fabrication, the project investigates new means by which to design with the light-emitting Vibrio fischeri bacteria through advanced robot-controlled 3D-printing technologies based on the extrusion of an agar-based bespoke nutritive medium. The technological set-up, relying on a collaborative robot and methods supporting the experiments, are discussed in more depth in earlier publications (Tyse et al. 2022; Ramsgaard et al. 2022; Ramsgaard et al. 2021).
Here we share a series of material probes on self-illuminating living micro-architectures, exploring the printability of a nurturing medium for bioluminescent bacteria, and how its formal resolution—its height, thickness, and geometry—affect and control their light performance. In particular, we propose a visual comparison of 3D printed-spiral tower-based variations in time, a typological structure chosen for its ability to channel the water in which the bioluminescent bacteria thrive in.
These micro-architectures are part of a larger study exploring the relationship between the architecture of the 3D-printed nutritive medium and the bacterial propagation throughout this milieu, in other words, how the design of the ecosystem's topology affects the light-emitting metabolism and the perception of their luminescence through time (Thomsen et al. 2021). They also constitute a practice-based ground from which to question and reflect on how architecture can become host for an ecology of species in symbiotic coexistence.
École nationale supérieure des Arts Décoratifs Paris
Title: Imprimer la Lumière
Description:
Modern biology is in the process of reinterpreting our body.
Where the body was once considered an autonomous, controlled and essentially closed organism, we are now understood as participating in an ecology of commensal, symbiotic and pathogenic microorganisms.
It is believed that we are inhabited by 10-100 trillion microbial cells (Ursell et al.
2012; Yang 2012).
This radical rethinking of our body has existential consequences (Helmreich 2016).
What is it to be human, how is the body functioning, and what does health and will mean in such an open interacting system? Imprimer la lumière asks: if architecture is based on a humanism—that is, an understanding of being human—how will such a new self-understanding create profound differences in how architecture is conceived, shaped, and materialized?
Sitting at the intersection of architecture and textile design practices and underpinned by a design probes approach, the project examines—from a practice-based perspective—the digital crafting of 3D-printed bioluminescent micro-architectures.
While bioluminescence is commonly used as a marker in biology and medicine, in the fields of design and architectural it has mainly been investigated as an alternative to public and domestic lighting (Estevez 2007; Chassard 2015; van Dongen 2014, Thomsen 2017).
Here we use bacterial luminescence as the means to explore the appropriation of living microorganisms as an architectural materiality, both from a critical and practical perspective.
In terms of fabrication, the project investigates new means by which to design with the light-emitting Vibrio fischeri bacteria through advanced robot-controlled 3D-printing technologies based on the extrusion of an agar-based bespoke nutritive medium.
The technological set-up, relying on a collaborative robot and methods supporting the experiments, are discussed in more depth in earlier publications (Tyse et al.
2022; Ramsgaard et al.
2022; Ramsgaard et al.
2021).
Here we share a series of material probes on self-illuminating living micro-architectures, exploring the printability of a nurturing medium for bioluminescent bacteria, and how its formal resolution—its height, thickness, and geometry—affect and control their light performance.
In particular, we propose a visual comparison of 3D printed-spiral tower-based variations in time, a typological structure chosen for its ability to channel the water in which the bioluminescent bacteria thrive in.
These micro-architectures are part of a larger study exploring the relationship between the architecture of the 3D-printed nutritive medium and the bacterial propagation throughout this milieu, in other words, how the design of the ecosystem's topology affects the light-emitting metabolism and the perception of their luminescence through time (Thomsen et al.
2021).
They also constitute a practice-based ground from which to question and reflect on how architecture can become host for an ecology of species in symbiotic coexistence.
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