Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

A Generative Grammar for Jazz Chord Sequences

View through CrossRef
The recursive character of musical chord sequences makes generative grammar a suitable formalism for describing the rules that constrain such sequences. A small number of rules are presented which generate the members of a large class of complex chord sequences that are generally recognised to be closely related, namely the set of jazz 12-bar blues. The rules are illustrated using a testing corpus of jazz chord sequences, and certain extensions are considered.
University of California Press
Title: A Generative Grammar for Jazz Chord Sequences
Description:
The recursive character of musical chord sequences makes generative grammar a suitable formalism for describing the rules that constrain such sequences.
A small number of rules are presented which generate the members of a large class of complex chord sequences that are generally recognised to be closely related, namely the set of jazz 12-bar blues.
The rules are illustrated using a testing corpus of jazz chord sequences, and certain extensions are considered.

Related Results

Quantitative Analysis of Shallow Earthquake Sequences and Regional Earthquake Behavior: Implications for Earthquake Forecasting
Quantitative Analysis of Shallow Earthquake Sequences and Regional Earthquake Behavior: Implications for Earthquake Forecasting
<p>This study is a quantitative investigation and characterization of earthquake sequences in the Central Volcanic Region (CVR) of New Zealand, and several regions in New Zea...
Quantitative Analysis of Shallow Earthquake Sequences and Regional Earthquake Behavior: Implications for Earthquake Forecasting
Quantitative Analysis of Shallow Earthquake Sequences and Regional Earthquake Behavior: Implications for Earthquake Forecasting
<p>This study is a quantitative investigation and characterization of earthquake sequences in the Central Volcanic Region (CVR) of New Zealand, and several regions in New Zea...
Staging jazz pasts within commercial European jazz festivals: The case of the North Sea Jazz Festival
Staging jazz pasts within commercial European jazz festivals: The case of the North Sea Jazz Festival
This article examines the North Sea Jazz Festival in order to highlight the growing influence of both ‘convergence culture’ (Jenkins) and prevailing jazz mythologies upon the recep...
Jazz as a Black American Art Form: Definitions of the Jazz Preservation Act
Jazz as a Black American Art Form: Definitions of the Jazz Preservation Act
Jazz music and culture have experienced a surge in popularity after the passage of the Jazz Preservation Act (JPA) in 1987. This resolution defined jazz as a black American art for...
Festa do Jazz
Festa do Jazz
Since 2003, each year for three days, the cultural heart of Lisbon becomes a unique space, adopted and shaped by a diverse jazz ecology. Festa do Jazz is a jazz festival which show...
Jazz History in Thailand: From Profession to Music Education
Jazz History in Thailand: From Profession to Music Education
This qualitative research has collected exhaustive data on topics ranging from the history of jazz in Thailand to the genre entering the realm of music education. Cassettes, CDs, g...
Misreading Morrison, Mishearing Jazz: A Response to Toni Morrison's Jazz Critics
Misreading Morrison, Mishearing Jazz: A Response to Toni Morrison's Jazz Critics
Toni Morrison's fiction, we have been repeatedly told, embodies features taken from jazz. Her books have a “jazzy prose style,” express a “jazz aesthetic,” or are “literary j...

Back to Top