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Performing Classical Music in the 21st Century
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Name: Alistair Sung
Main Subject: Classical Cello
Research Coaches: Gerard Bouwhuis, Renee Jonker
Title of Research:
Performing Classical Music in the 21st Century
Research Question:
Can a reconsideration of presentation, programming and audience relationship influence
the response to classical music?
Summary of Results:
The financial and cultural climate of the past 50 years has changed the way in which
classical music is perceived. Where once it was valued as a crucial part of a healthy
society, it has now grown isolated from mainstream culture and has been relegated to the
periphery of modern cultural life. This paper will examine how these recent cultural and
social developments occurred and focus on their effects on the performance of classical
music in the 21st century. Through an analysis of new and existing approaches to
performance, a framework will be established which will form the basis of a test concert.
Data gained from this concert will then be analysed in order to explore the possibility of
altering existing concert conventions to respond to the problems facing the performance
of classical music. Research will be presented in the form of a research paper.
Biography:
Alistair began learning the cello in Sydney Australia with Marcus Hartstein and David
Pereira. After attending Newtown High School of Performing Arts, Alistair completed
his Bachelor Music (honours I)/Bachelor Arts (philosophy) at the University of New
South Wales in 2010. On graduating, Alistair was awarded the university medal and his
honours thesis, ‘Variety in Performance: A Comparative Analysis of Recorded
Performances of Bach’s Sixth Suite for Solo Cello’ was co-published in the Empirical
Musicology Review (Ohio State University). Alistair is currently completing a Masters
degree at the Koninklijk Conservatorium in The Hague with Larissa Groeneveld.
Title: Performing Classical Music in the 21st Century
Description:
Name: Alistair Sung
Main Subject: Classical Cello
Research Coaches: Gerard Bouwhuis, Renee Jonker
Title of Research:
Performing Classical Music in the 21st Century
Research Question:
Can a reconsideration of presentation, programming and audience relationship influence
the response to classical music?
Summary of Results:
The financial and cultural climate of the past 50 years has changed the way in which
classical music is perceived.
Where once it was valued as a crucial part of a healthy
society, it has now grown isolated from mainstream culture and has been relegated to the
periphery of modern cultural life.
This paper will examine how these recent cultural and
social developments occurred and focus on their effects on the performance of classical
music in the 21st century.
Through an analysis of new and existing approaches to
performance, a framework will be established which will form the basis of a test concert.
Data gained from this concert will then be analysed in order to explore the possibility of
altering existing concert conventions to respond to the problems facing the performance
of classical music.
Research will be presented in the form of a research paper.
Biography:
Alistair began learning the cello in Sydney Australia with Marcus Hartstein and David
Pereira.
After attending Newtown High School of Performing Arts, Alistair completed
his Bachelor Music (honours I)/Bachelor Arts (philosophy) at the University of New
South Wales in 2010.
On graduating, Alistair was awarded the university medal and his
honours thesis, ‘Variety in Performance: A Comparative Analysis of Recorded
Performances of Bach’s Sixth Suite for Solo Cello’ was co-published in the Empirical
Musicology Review (Ohio State University).
Alistair is currently completing a Masters
degree at the Koninklijk Conservatorium in The Hague with Larissa Groeneveld.
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